<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[The Rest is Literature: Lists]]></title><description><![CDATA[I have measured out my life in lists, and lists of lists.]]></description><link>https://www.therestisliterature.com/s/lists</link><image><url>https://substackcdn.com/image/fetch/$s_!PqFM!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcfe76cbf-7648-4265-adad-0e5627e98645_726x726.png</url><title>The Rest is Literature: Lists</title><link>https://www.therestisliterature.com/s/lists</link></image><generator>Substack</generator><lastBuildDate>Tue, 02 Jun 2026 18:40:35 GMT</lastBuildDate><atom:link href="https://www.therestisliterature.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Joshua Gaskell]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[joshuagaskell@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[joshuagaskell@substack.com]]></itunes:email><itunes:name><![CDATA[Joshua Gaskell]]></itunes:name></itunes:owner><itunes:author><![CDATA[Joshua Gaskell]]></itunes:author><googleplay:owner><![CDATA[joshuagaskell@substack.com]]></googleplay:owner><googleplay:email><![CDATA[joshuagaskell@substack.com]]></googleplay:email><googleplay:author><![CDATA[Joshua Gaskell]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[How to Hate Lime Bikes in the King’s or Queen’s English]]></title><description><![CDATA[A Beginner&#8217;s Guide]]></description><link>https://www.therestisliterature.com/p/how-to-hate-lime-bikes-in-the-kings</link><guid isPermaLink="false">https://www.therestisliterature.com/p/how-to-hate-lime-bikes-in-the-kings</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Wed, 15 Apr 2026 19:16:58 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/c26abf47-ca6c-422c-a0e2-d780e8090991_2360x1270.webp" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>For each step, listen to your preferred recording and then repeat.</p><h4>Step 1</h4><p><em>Lime bikes are not bicycles. They are mopeds.</em></p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;b427a5dc-dfb4-4d38-af30-8f52da2a0bda&quot;,&quot;duration&quot;:4.257959,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;87a34147-abf2-49da-bc97-a32221a90acc&quot;,&quot;duration&quot;:3.709388,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><h4>Step 2</h4><p><em>Leaving a large, heavy, ugly lump of plastic wherever you like is not &#8216;docking&#8217;, it&#8217;s fly-tipping.</em></p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;7d349958-2fb6-45e0-aeb8-327c554a07f4&quot;,&quot;duration&quot;:7.78449,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;beee60ea-f4b6-46be-bfca-83613feb756d&quot;,&quot;duration&quot;:7.183673,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><h4>Step 3</h4><p><em>Lime bikes are the parakeets of the pavement.</em></p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;e318bbfc-ee42-487d-8eac-602fb1dcbf6c&quot;,&quot;duration&quot;:3.004082,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;a027aaa0-289d-45e1-9b20-5fde5009d52d&quot;,&quot;duration&quot;:3.108571,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><h4>Step 4</h4><p><em>My government will proscribe LimeBike, Inc. as a terrorist group.</em></p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;4d1610a4-3925-4114-bd9f-b8a1ac9ba37c&quot;,&quot;duration&quot;:5.22449,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;89765104-3a40-44cc-be1d-317003f2e1b6&quot;,&quot;duration&quot;:4.493061,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><h4>Step 5</h4><p><em>When passing a Lime bike that is blocking the pavement you gotta give it that hawk tuah. Spit on that thang.</em></p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;8bdf774d-3fb6-4fd6-9582-2d47cd911fba&quot;,&quot;duration&quot;:6.347755,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;c3c61a98-015f-4ae8-9af7-6dd630203275&quot;,&quot;duration&quot;:7.131429,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><h4>Step 6</h4><p><em>Fuck you and the Lime you rode in on.</em></p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;cad70246-1703-494f-bcc6-f3b0195e61ad&quot;,&quot;duration&quot;:3.291429,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;14463ec0-70d0-4e08-9b65-b79eefd39e79&quot;,&quot;duration&quot;:2.690612,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><h4>Step 7</h4><p><em>If you want a picture of the future, imagine a Lime bike riding over a human face &#8211; forever.</em></p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;0988636c-37e1-4e5d-b77e-b20bf5120131&quot;,&quot;duration&quot;:7.366531,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;49af100d-51eb-479b-a7db-5a72e8963aaf&quot;,&quot;duration&quot;:7.288163,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.therestisliterature.com/subscribe?"><span>Subscribe now</span></a></p>]]></content:encoded></item><item><title><![CDATA[The Four Times of the Day]]></title><description><![CDATA[After Hogarth]]></description><link>https://www.therestisliterature.com/p/the-four-times-of-the-day</link><guid isPermaLink="false">https://www.therestisliterature.com/p/the-four-times-of-the-day</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Thu, 18 Dec 2025 14:07:48 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/e12037bc-bee2-4eb0-9373-164318079921_3456x1846.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>In 1736, William Hogarth painted <em>The Four Times of the Day</em>, a polyptych depicting four London scenes: Covent Garden on a winter morning, St Giles in spring at noon, Sadler&#8217;s Wells on a summer evening, and Whitehall at night on Oak Apple Day (29 May).</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!NBf6!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!NBf6!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 424w, https://substackcdn.com/image/fetch/$s_!NBf6!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 848w, https://substackcdn.com/image/fetch/$s_!NBf6!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!NBf6!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!NBf6!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg" width="1143" height="1382" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1382,&quot;width&quot;:1143,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:1390126,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://joshuagaskell.substack.com/i/181984522?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!NBf6!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 424w, https://substackcdn.com/image/fetch/$s_!NBf6!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 848w, https://substackcdn.com/image/fetch/$s_!NBf6!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!NBf6!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F27923e64-445b-4af7-8630-898459d84e5f_1143x1382.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption"><em>The Four Times of the Day</em> (1736)</figcaption></figure></div><blockquote><div class="preformatted-block" data-component-name="PreformattedTextBlockToDOM"><label class="hide-text" contenteditable="false">Text within this block will maintain its original spacing when published</label><pre class="text">Upon the whole, though many other circumstances daily occur in the streets of the metropolis that might serve to distinguish the four parts of the day, yet these which Hogarth has selected appear to be the most striking, and evince him not only to be a proficient in his art, but also to possess a consummate knowledge of the town.
    &#8212; Thomas Clerk, <em>The Works of William Hogarth</em> (1810)</pre></div></blockquote><p>Below are photographic re-creations of <em>The Four Times of the Day</em>, taken between 2017 and 2025.</p><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/bf370b4c-f02c-4c68-9907-89a9a5fa8372_6496x9719.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/992ebe3c-3702-421f-940e-9f74d8740388_6912x10373.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/26035805-d8f2-4ad2-b1cc-d72d3e09be5a_6336x9514.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/d435200e-598d-4aef-b048-0668bfbdb5ac_6910x10368.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/53be76d9-6df1-442c-bc5d-f01ac5d8fb34_6912x10368.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/8abe8ab8-d2d4-42fd-9ad1-a3674bdf276b_6760x10209.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/f5bdf8ee-52d7-4b1b-9a00-7d56faeffcda_6434x9648.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/3f863110-1e0c-4aaa-9052-3236bb14bae0_6836x10254.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/828464c5-09f8-4fa2-b5af-ed6cf2b37b34_6228x9033.jpeg&quot;}],&quot;caption&quot;:&quot;The Four Times of the Day (2017&#8211;25)&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/527252de-91ee-4b42-bf57-5d05c75b9e57_1456x1454.png&quot;}},&quot;isEditorNode&quot;:true}"></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><em>The Rest is Literature</em> is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[What Do You Think It Means?]]></title><description><![CDATA[Sixty-four tips for an English tutor (an opinionated little pamphlet)]]></description><link>https://www.therestisliterature.com/p/what-do-you-think-it-means</link><guid isPermaLink="false">https://www.therestisliterature.com/p/what-do-you-think-it-means</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Wed, 03 Dec 2025 08:52:13 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/87f23ce3-7c96-444e-aea4-7c68d8b4c9a4_3456x3510.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<h4>One</h4><blockquote><div class="preformatted-block" data-component-name="PreformattedTextBlockToDOM"><label class="hide-text" contenteditable="false">Text within this block will maintain its original spacing when published</label><pre class="text">How can I know what I think till I see what I say?
    &#8212; Graham Wallas, <em>The Art of Thought</em></pre></div></blockquote><blockquote><div class="preformatted-block" data-component-name="PreformattedTextBlockToDOM"><label class="hide-text" contenteditable="false">Text within this block will maintain its original spacing when published</label><pre class="text">A Question is the best beacon towards a little Speculation.
    &#8212; Keats, to Benjamin Bailey, 1 November 1817</pre></div></blockquote><p>Model for your student how to use discussion and writing to develop ideas.</p><p>In maths, you&#8217;re meant to &#8216;show your workings&#8217;. In an essay that a student has the opportunity to edit &#8211; coursework, for example &#8211; they don&#8217;t need to show all of their workings. Writing the essay is a way for them to figure out what they think, and they can then go back to put that thesis in the introduction and to trim any fat.</p><h4>Two</h4><p>Help your student to</p><ul><li><p><strong>Speak</strong> about complex ideas,</p></li><li><p><strong>Read</strong> high-quality material, and</p></li><li><p><strong>Write</strong> essays on which they will receive detailed feedback.</p></li></ul><p>These are three ways of thinking.</p><p>For obvious reasons, weight lessons towards speaking, and homework to reading and writing.</p><h4>Three</h4><p>In his preface to <em>The Picture of Dorian Gray</em>, Oscar Wilde says that &#8216;Those who go beneath the surface do so at their peril.&#8217; This is an invitation as well as a warning.</p><h4>Four</h4><p>When reading a play with one student, you can&#8217;t dish out multiple parts. So, for every scene, know who the main speaker is, get your student to read that part, and fill in the others yourself. That way, your student can concentrate on the most important things being said.</p><p>For example, in the first scene of <em>Othello</em>, your student can read Iago, focussing on the way he describes Othello behind his back; and in the second scene, your student can read Othello, focussing on how he presents himself and comes across.</p><h4>Five</h4><p>If you&#8217;re teaching texts which you don&#8217;t know the whole of well, make a virtue of necessity and specify by comparing analogous passages. For example, the censure of Eve by Adam in <em>Paradise Lost</em> (X. 867&#8211;908) and the censure of the Duchess by her brothers in <em>The Duchess of Malfi</em> (II. v. 22&#8211;82).</p><h4>Six</h4><p>We value our annotations. Sometimes we value them as one would a life raft in a sea tempest. But a huge number of old annotations can actually make it <em>harder</em> to engage with and teach a text; to see the wood through the trees. Try re-reading a clean copy. What&#8217;s important today, for this student?</p><h4>Seven</h4><p>Do the texts in Michaelmas mode first time round, i.e. properly, in detail, on their own literary terms, because when you come back to them in the summer term you&#8217;ll be doing them from the exam&#8217;s point of view.</p><h4>Eight</h4><p>Most students&#8217; essays take most of their details from the first half of the text. Your student&#8217;s can stand out by exploring the end &#8211; the second generation in <em>Wuthering Heights</em>, for example, or Othello&#8217;s final speech.</p><h4>Nine</h4><p>When comparing texts, pair analogous characters, almost in a Joseph Campbell-like way. For example, in <em>A Streetcar Named Desire</em> and <em>The Handmaid&#8217;s Tale</em>, Blanche and Offred both experience guilt, have illicit sex, try to stay sane, and end by being forcibly removed from where they have been living. The Doctor and Matron can be compared to the Eyes, Allan to Luke, Stanley to the Commander, Stella to Moira, etc.</p><h4>Ten</h4><blockquote><div class="preformatted-block" data-component-name="PreformattedTextBlockToDOM"><label class="hide-text" contenteditable="false">Text within this block will maintain its original spacing when published</label><pre class="text">There may be even in flattery an honest kind of teaching, if princes, by being told that they are already endued with all virtues necessary for their functions, be thereby taught what those virtues are, and by a facile exhortation excited to endeavour to gain them.
    &#8212; Donne, <em>Ignatius His Conclave</em></pre></div></blockquote><p>The best thing I learnt at the Institute of Education is to treat your student&#8217;s written work with the utmost seriousness. Read and comment on it as if it is a book that you&#8217;re editing. Even do this if they&#8217;ve dashed it off &#8211; it might shame them into greater effort next time.</p>
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   ]]></content:encoded></item><item><title><![CDATA[Just Say No]]></title><description><![CDATA[&#10060;]]></description><link>https://www.therestisliterature.com/p/just-say-no</link><guid isPermaLink="false">https://www.therestisliterature.com/p/just-say-no</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Mon, 13 Oct 2025 09:38:22 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/aceb28cb-5112-4c20-9310-57ffd428c302_1094x770.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>T. S. Eliot&#8217;s <em>The Waste Land</em> &#8211; just say no</p></li><li><p>Hammersmith bus station &#8211; just say no</p></li><li><p>Dualism &#8211; just say no</p></li><li><p>Hip-hop handshake plus one-armed man hug &#8211; just say no</p></li><li><p>Leaf blowers &#8211; just say no</p></li></ul><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><em>The Rest is Literature</em> is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Things that are bad…]]></title><description><![CDATA[&#8230;because they undermine(d) the legislature, i.e. parliamentary sovereignty, i.e. democracy &#128542;]]></description><link>https://www.therestisliterature.com/p/things-that-are-bad</link><guid isPermaLink="false">https://www.therestisliterature.com/p/things-that-are-bad</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Fri, 03 Oct 2025 10:57:23 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/1dbf9957-3746-44e7-899e-e27aa3c23713_1300x731.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>Increasing power of finance since the OPEC oil crisis (1973&#8211;)</p></li><li><p>Treaty of Accession (1973)</p></li><li><p>Trade union barons telling the government what to do in the 1970s</p></li><li><p>Increasing power of the executive since the 1980s (&#8216;elective dictatorship&#8217;, &#8216;kitchen cabinet&#8217;, &#8216;Henry VIII clauses&#8217;)</p></li><li><p>The rise of the QUANGOs from the 1980s</p></li><li><p>Including Next Steps Agencies (executive agencies) (1988&#8211;)</p></li><li><p>The Maastricht Treaty (1993)</p></li><li><p>The Human Rights Act (1998)</p></li><li><p>Scottish and Welsh devolution (1998, 1999)</p></li><li><p>Bank of England independence (1998)</p></li><li><p>Expansion of judicial review (<em>c.</em> 2000&#8211;)</p></li><li><p>Creation of the (UK) Supreme Court (2009)</p></li><li><p>The Constitutional Reform and Governance Act (2010)</p></li><li><p>The Fixed-term Parliaments Act (2011&#8211;22)</p></li></ul><div><hr></div><p><a href="https://podcasts.apple.com/gb/podcast/is-liberalism-dead-with-john-gray/id630596898?i=1000732316261">John Gray, </a><em><a href="https://podcasts.apple.com/gb/podcast/is-liberalism-dead-with-john-gray/id630596898?i=1000732316261">New Statesman</a></em><a href="https://podcasts.apple.com/gb/podcast/is-liberalism-dead-with-john-gray/id630596898?i=1000732316261"> podcast, 17 October 2025</a>:</p><blockquote><p>[To save liberalism requires] a strong state, and a relatively unfettered state of the kind we had [&#8230;] in the time of Margaret Thatcher we had unfettered parliamentary sovereignty. [&#8230;] the virtue of that was that it allowed radical changes in the ruling settlement without violence [&#8230;] whether we can get back to that, as I hope we still might, is another question[.]</p></blockquote><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><em>The Rest is Literature</em> is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[How to Pronounce It]]></title><description><![CDATA[&#128483;&#65039; /ha&#650; tu&#720; pr&#601;&#712;na&#650;ns &#618;t/]]></description><link>https://www.therestisliterature.com/p/how-to-pronounce-it</link><guid isPermaLink="false">https://www.therestisliterature.com/p/how-to-pronounce-it</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Fri, 12 Sep 2025 11:14:27 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/f8c7f2c5-bdac-46c2-bbb3-42f83c184ee8_5367x3019.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>In 1954 the linguist Alan Ross introduced the distinction between &#8216;U and non-U&#8217; <em>&#8211;</em> upper-class and non-upper-class language <em>&#8211;</em> in an essay for a Finnish philological journal. Upper-class people say &#8216;napkin&#8217;, not &#8216;serviette&#8217;, &#8216;sofa&#8217;, not &#8216;couch&#8217;, etc. Nancy Mitford popularised the terminology in an article for <em>Encounter</em> the following year, and by including a condensed version of Ross&#8217;s essay in her <em>Noblesse Oblige</em> the year after that. In 1970 Ross capitalised on the popularity of his invention by publishing <em>How to Pronounce It</em>, a guide to &#8216;U-English&#8217; &#8211; &#8216;concerto&#8217; is /k&#601;n&#712;t&#643;&#603;&#720;t&#601;&#650;/, second syllable the same as &#8216;chair&#8217;, not /k&#601;n&#712;t&#643;&#601;&#720;t&#601;&#650;/, second syllable the same as &#8216;sir&#8217;, for example. But the book is of no help if you want to know the U pronunciations of non-U things&#8230;</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;b7fb1ae6-a983-4f3a-ae1c-28ee9797789b&quot;,&quot;duration&quot;:92.36898,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><ul><li><p>ALWAYS<em>-on display</em>: /&#712;&#596;&#720;lw&#618;z/, second syllable the same as <em>whizz</em>.</p></li><li><p><em>Ann Summers</em> LINGERIE: /&#712;l&#227;&#658;ri/, in the French way. NOT /&#716;l&#593;n&#439;&#601;&#712;re&#618;/.</p></li><li><p>AQUAFRESH: /&#712;e&#618;kw&#601;-/. NOT /&#712;akw&#601;-/.</p></li><li><p>ARCHETYPAL <em>character</em>: /&#593;&#720;&#712;k&#603;t&#618;p(&#601;)l/, accent on second syllable.</p></li><li><p>ARTISAN <em>sourdough</em>: /&#593;&#720;t&#618;&#712;zan/, accent on last syllable.</p></li><li><p><em>Attention </em>DEFICIT: /&#712;dif&#618;s&#618;t/, first syllable to rhyme with <em>reef</em>.</p></li><li><p>BOURBON <em>whisky</em>: /&#712;b&#650;&#601;b&#594;&#771;/, in the French way.</p></li><li><p>BROMANCE: /br&#601;&#650;&#712;mans/. NOT accent on first syllable, which is American.</p></li><li><p>CASUAL <em>sex</em>: /&#712;ka&#658;&#601;l/, two syllables.</p></li><li><p>CELEBUTANTE: /s&#618;&#712;l&#603;bj&#7551;t&#594;&#771;/, in the French way.</p></li><li><p>COLGATE: /&#712;k&#594;l&#609;&#601;t/. NOT /&#712;k&#594;l&#609;e&#618;t/.</p></li><li><p>COMRADE <em>Delta</em>: /&#712;k&#652;mr&#7547;d/, first syllable the same as <em>come</em>.</p></li><li><p>CONVERSE <em>high-tops</em>: /k&#601;n&#712;v&#601;&#720;s/, accent on second syllable. NOT /&#712;k&#594;nv&#601;&#720;s/.</p></li><li><p>COST<em>-of-living crisis</em>: /k&#596;&#720;st/, to rhyme with <em>forced</em>.</p></li><li><p>COUPON <em>codes</em>: /&#712;ku&#720;p&#596;&#771;/, in the French way. NOT /&#712;ku&#720;p&#594;n/.</p></li><li><p>COVERT <em>narcissist</em>: /&#712;k&#652;v&#601;t/, like <em>cover</em>. NOT /&#712;k&#601;&#650;v&#601;&#720;t/, like <em>over</em>.</p></li><li><p><em>Cruella</em> DE VIL: /d&#650;&#712;vil/, in the French way, like <em>D&#233;ville</em>. NOT /d&#601;&#712;v&#618;l/.</p></li><li><p>Disney&#8217;s<em> RECESS</em>: /r&#7547;&#712;s&#603;s/, accent on second syllable.</p></li><li><p><em>Double</em> DENIM: /d&#618;&#712;n&#618;m/, accent on second syllable. NOT /&#712;d&#603;n&#618;m/.</p></li><li><p>DUVET <em>day</em>: /du&#720;&#712;ve&#618;/, accent on second syllable.</p></li><li><p>EXECUTIVE <em>toy</em>: /&#603;g&#712;z&#603;k&#601;t&#618;v/. NOT /&#603;&#609;&#712;z&#603;kj&#650;t&#618;v/.</p></li><li><p><em>The</em> EYRIE<em> in </em>Game of Thrones: /&#712;&#603;&#720;ri/, the same as <em>airy</em>.</p></li><li><p><em>Fast-food</em> RESTAURANT: /&#712;r&#603;st(&#601;)r&#594;&#771;/, French pronunciation, no final T.</p></li><li><p>FLACCID <em>penis</em>: /&#712;flaks&#618;d/. NOT /&#712;flas&#618;d/.</p></li><li><p><em>GARAGE</em>Band: /&#712;&#609;ar&#593;&#720;&#658;/, to rhyme with <em>barrage</em>. NOT /&#712;&#609;ar&#618;d&#658;/.</p></li><li><p>GIGABYTE: /&#712;d&#658;&#652;&#618;&#609;&#601;b&#652;&#618;t/. Not /&#712;&#609;&#618;&#609;&#601;b&#652;&#618;t/.</p></li><li><p>GLITTERATI: /&#609;l&#618;t&#601;&#712;re&#618;t&#652;&#618;/ like <em>hate I</em>. NOT /&#716;&#609;l&#618;t&#601;&#712;r&#593;&#720;ti/ like <em>arty</em>.</p></li><li><p><em>High-visibility</em> WAISTCOAT: /&#712;w&#603;sk&#7547;t/, first syllable to rhyme with <em>less</em>, no T.</p></li><li><p>HOLIDAY <em>park</em>: /&#712;h&#594;l&#618;di/, last syllable the same as <em>dee</em>.</p></li><li><p>ILLUMINATI: /&#618;lju&#720;m&#618;&#712;ne&#618;t&#652;&#618;/. NOT /&#618;&#716;lu&#720;m&#618;&#712;n&#593;&#720;ti/.</p></li><li><p>INCOGNITO <em>mode</em>: /&#618;n&#712;k&#594;gn&#618;t&#601;&#650;/. NOT /&#716;&#618;nk&#594;&#609;&#712;ni&#720;t&#601;&#650;/.</p></li><li><p><em>INHERENT </em>Vice: /&#618;n&#712;h&#618;&#601;r&#601;nt/, second syllable the same as <em>hear</em>.</p></li><li><p>INNOVATIVE <em>finance ISA</em>: /&#712;&#618;n&#601;&#650;ve&#618;t&#618;v/. NOT /&#712;&#618;n&#601;v&#601;t&#618;v/.</p></li><li><p><em>Le</em> PAIN<em> Quotidien</em>: /p&#227;/, in the French way.</p></li><li><p><em>Leigh</em> HALFPENNY: /&#712;he&#618;pni/, first syllable the same as <em>hay</em>. NOT as spelt.</p></li><li><p><em>The</em> MAMAS <em>and the</em> PAPAS: /m&#601;&#712;m&#593;&#720;z/ and /p&#601;&#712;p&#593;&#720;z/, accents on the second syllable.</p></li><li><p>MARLBORO <em>Gold</em>: /&#712;m&#596;&#720;lbr&#601;/, first syllable the same as <em>maul</em>.</p></li><li><p><em>Multipurpose</em> COMPOST: /&#712;k&#594;mp&#601;st/. NOT /&#712;k&#594;mp&#594;st/.</p></li><li><p><em>NASA SOJOURNER</em>: /&#712;s&#652;d&#658;&#601;n&#601;/. NOT /&#712;s&#594;d&#658;&#601;n&#601;/.</p></li><li><p>NESCAF&#201;: /n&#603;s&#712;kafe&#618;/, accent on second syllable. NOT /&#712;n&#603;sk&#601;fe&#618;/, accent on first.</p></li><li><p>NETIQUETTE: /n&#603;t&#7547;&#712;k&#603;t/, accent on last syllable.</p></li><li><p><em>Oxford &amp;</em> CHERWELL <em>Valley College</em>: /&#712;t&#643;&#593;&#720;w&#601;l/, first syllable to rhyme with <em>car</em>.</p></li><li><p>PAPA <em>John&#8217;s</em>: /p&#601;&#712;p&#593;&#720;/, accent on second syllable. NOT /&#712;p&#593;p&#601;/.</p></li><li><p>PAPA<em> Smurf</em>: /p&#601;&#712;p&#593;&#720;/, accent on second syllable. NOT /&#712;p&#593;p&#601;/.</p></li><li><p><em>Paul</em> GASCOIGNE: /gas&#712;k&#596;&#618;n/, accent on second syllable.</p></li><li><p>PEJORATIVE <em>term</em>: /&#712;pi&#720;d&#658;&#601;r&#601;t&#618;v/, accent on first syllable.</p></li><li><p>PINTEREST: /&#712;p&#618;ntr&#618;st/. NOT /&#712;p&#618;nt&#601;r&#603;st/.</p></li><li><p><em>Pizza</em> FUNGHI: /&#712;f&#652;n&#676;&#652;&#618;/, like <em>lunge eye</em>. NOT /&#712;f&#652;&#331;&#609;i&#720;/, like <em>Bungay</em>.</p></li><li><p>Playboy <em>MAGAZINE</em>: /ma&#609;&#601;&#712;zi&#720;n/, accent on second syllable.</p></li><li><p>POWYS: /&#712;p&#601;&#650;&#618;s/, first syllable to rhyme with <em>go</em>. NOT /&#712;pa&#650;&#618;s/, first syllable rhyming with <em>cow</em>.</p></li><li><p>PROJECTILE<em>-vomit</em>: /&#712;pr&#594;d&#658;&#603;kt&#652;&#618;l/, accent on first syllable.</p></li><li><p>QUASI<em>-autonomous non-governmental organisation</em>: /&#712;kwe&#618;z&#652;&#618;/, first syllable to rhyme with <em>pays</em>. NOT /&#712;kw&#594;z&#618;/.</p></li><li><p><em>Quorn</em> ESCALOPE: /&#712;&#603;sk&#601;l&#601;&#650;p/, accent on first syllable, last to rhyme with <em>pope</em>.</p></li><li><p>RALEIGH <em>Chopper</em>: /&#712;r&#596;&#720;li/, to rhyme with <em>poorly</em>. NOT /&#712;rali/ like <em>rally</em>.</p></li><li><p>REAL <em>Madrid</em>: /re&#618;&#712;&#593;&#720;l/, to rhyme with <em>grey marl</em>. NOT /re&#618;l/.</p></li><li><p>RENAULT <em>Clio</em>: /&#712;kl&#652;&#618;&#601;&#650;/, as in <em>cryo-</em>. NOT /&#712;kli&#720;&#601;&#650;/.</p></li><li><p>RETAIL <em>therapy</em>: /r&#618;&#712;te&#618;l/, accent on second syllable.</p></li><li><p>The <em>REVENANT</em>: /r&#601;v&#601;&#712;n&#593;&#771;/, in the French way. NOT /&#712;r&#603;v&#7547;n&#601;nt/.</p></li><li><p><em>Ribbed </em>CONDOM: /&#712;k&#652;nd&#601;m/. NOT /&#712;k&#594;nd&#594;m/.</p></li><li><p>SANS <em>serif</em>: /s&#594;&#771;/, in the French way.</p></li><li><p><em>Stinky Pete the</em> PROSPECTOR: /pr&#601;&#650;&#712;sp&#603;kt&#601;(r)/, accent on second syllable.</p></li><li><p><em>Student </em>FINANCE <em>Wales</em>: /f&#618;&#712;nans/, first syllable the same as <em>fin</em>, accent on second.</p></li><li><p><em>Superhero</em> GENRE: /&#658;&#593;&#771;r/, in the French way.</p></li><li><p>Total<em> RECALL</em>: /r&#7547;&#712;k&#596;&#720;l/, accent on second syllable.</p></li><li><p><em>Trump derangement</em> SYNDROME: /&#712;s&#618;ndr&#601;mi/. NOT /&#712;s&#618;ndr&#601;&#650;m/.</p></li><li><p>TWITTERATI: /tw&#618;t&#601;&#712;re&#618;t&#652;&#618;/. NOT /&#716;tw&#618;t&#601;&#712;r&#593;&#720;ti/. So in <em>culturati</em>, <em>glamourati</em>, etc.</p></li><li><p>VACUUM<em>-packed food</em>: /&#712;vakj&#650;&#601;m/, three syllables.</p></li><li><p>VALET <em>parking</em>: /&#712;val&#618;t/, to rhyme with <em>mallet</em>.</p></li><li><p><em>Video </em>SURVEILLANCE: /syr&#712;v&#603;j&#593;&#771;s/, in the French way. NOT /s&#601;&#712;ve&#618;l&#601;ns/.</p></li><li><p><em>Volkswagen</em> GOLF: /&#609;&#594;f/, to rhyme with <em>scoff</em>. NOT /&#609;&#594;lf/.</p></li><li><p><em>Weston-super-</em>MARE: /&#712;m&#593;&#720;ri/, to rhyme with <em>sari</em>.</p></li><li><p>WHATEVS: /hw&#594;t&#712;&#603;vz/, <em>wh</em> aspirated.</p></li></ul><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.therestisliterature.com/subscribe?"><span>Subscribe now</span></a></p>]]></content:encoded></item><item><title><![CDATA[In Our Time with Melvyn, Lord Bragg]]></title><description><![CDATA[&#128251;]]></description><link>https://www.therestisliterature.com/p/in-our-time-with-melvyn-lord-bragg</link><guid isPermaLink="false">https://www.therestisliterature.com/p/in-our-time-with-melvyn-lord-bragg</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Sat, 06 Sep 2025 12:31:37 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/e57fb314-872b-4002-866e-0c5aaed73afd_1067x600.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>To celebrate the great Cumbrian Melvyn Bragg as he steps down from presenting the best programme on Radio 4, my collection of the rare occasions on which he (subtly) expressed his own opinion.</p><ul><li><p>Of a cartoon depicting Marie Curie as being less intellectual and important than her husband, Pierre: &#8216;Well, it sums up the <em>Vanity Fair</em>, yeah, but we needn&#8217;t take that all that seriously, need we?&#8217; (&#8216;The Curies&#8217;, 26.3.2015)</p></li><li><p>Someone says that Simone de Beauvoir was thought to be letting down the communist side by telling the truth. Melvyn [<em>aside</em>]: &#8216;that&#8217;s always been a problem.&#8217; (&#8216;Simone de Beauvoir&#8217;, 22.10.2015)</p></li><li><p>&#8216;I think novels aren&#8217;t just fictional constructs. They&#8217;re the life of people we believe in. And our imagination goes out to them, and they become as real as you three. Tess was as real as any of you here.&#8217; (&#8216;<em>Tess of the d&#8217;Urbervilles</em>&#8217;, 5.5.2016)</p></li><li><p>&#8216;A lot of those ideas must have seemed radical and revolutionary at the time. They&#8217;re quite commonplace today, aren&#8217;t they? And they&#8217;re quite good ideas.&#8217; (&#8216;The American Populists&#8217;, 15.6.2017)</p></li><li><p>&#8216;[S]omebody who stood up and knew what his policies were [&#8230;] would be handy.&#8217; (&#8216;Constantine the Great&#8217;, 5.10.2017)</p></li><li><p>&#8216;Can we just swing a few statistics round the studio? Everybody else is doing it &#8211; we&#8217;ll do it quickly and get it over with.&#8217; (&#8216;Li Shizhen&#8217;, 28.11.2019)</p></li><li><p>&#8216;They [coffee houses] got too lively and they were spreading ideas &#8211; heaven forbid, in this country.&#8217; (&#8216;Coffee&#8217;, 12.12.2019)</p></li><li><p>Correcting his own use of the historical present: &#8216;He goes to Durham. He <em>went</em> to Durham.&#8217; (&#8216;Saint Cuthbert&#8217;, 28.1.2021)</p></li><li><p>&#8216;So swindling with money or employing people on huge estates for next to nothing, they escape any sort of censure at all.&#8217; (&#8216;Booth&#8217;s <em>Life and Labour</em> Survey&#8217;, 10.6.2021)</p></li><li><p>Steve Jones says that Karl Marx used coral as a metaphor for us: great when combined, contemptible as individuals. Melvyn: &#8216;I don&#8217;t like being lumped as puny, weak, and whatever else he said.&#8217; (&#8216;Corals&#8217;, 28.10.2021)</p></li><li><p>Dickens thought that he was better than the other people in the blacking factory. Melvyn: &#8216;Well, he&#8217;s allowed to feel that.&#8217; (&#8216;<em>A Christmas Carol</em>&#8217;, 16.12.2021)</p></li><li><p>&#8216;You read plenty of speeches &#8211; well, I do anyway &#8211; and you think, &#8220;Well, bit dead&#8221;.&#8217; (&#8216;Demosthenes&#8217; <em>Philippics</em>&#8217;, 17.11.2022)</p></li><li><p>&#8216;[A]re you sure that the blunt turning down of this, again and again, was not because [&#8230;] the elite who&#8217;d had it so good for a long time in Parliament, thought that they didn&#8217;t want their tablecloth to be soiled by these working people?&#8217; (&#8216;Chartism&#8217;, 9.2.2023)</p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><em>The Rest is Literature</em> is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div></li></ul>]]></content:encoded></item><item><title><![CDATA[Things to look for in a new place]]></title><description><![CDATA[&#128506;&#65039;]]></description><link>https://www.therestisliterature.com/p/things-to-look-for-in-a-new-place</link><guid isPermaLink="false">https://www.therestisliterature.com/p/things-to-look-for-in-a-new-place</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Mon, 01 Sep 2025 05:24:44 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/94e09231-b266-4ac2-8ced-d1a3786fdc6e_1352x761.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>&#9962; Churches</p></li><li><p>&#9968;&#65039; County tops</p></li><li><p>&#127867; <em>Good Beer Guide</em> pubs</p></li><li><p>&#127984; National Trust properties</p></li><li><p>&#127966;&#65039; Ordnance Survey points of interest</p></li><li><p>&#128095; Parkruns</p></li><li><p>&#128077; A life</p></li></ul><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.therestisliterature.com/subscribe?"><span>Subscribe now</span></a></p>]]></content:encoded></item><item><title><![CDATA[The Oxford Urban Dictionary]]></title><description><![CDATA[The definitive record of the English language]]></description><link>https://www.therestisliterature.com/p/the-oxford-urban-dictionary</link><guid isPermaLink="false">https://www.therestisliterature.com/p/the-oxford-urban-dictionary</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Tue, 26 Aug 2025 06:34:46 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/77b5fc62-2b66-404f-a5d4-37e9f7b1597d_721x406.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<h4>A</h4><p>absolutely, <em>adv.</em> and <em>int.</em></p><p>Pronunciation: /&#712;abs&#601;lu&#720;tli/<br>Etymology: &lt; absolute <em>adj.</em> + -ly <em>suffix</em></p><p>1. <em>adv.</em> To the fullest extent; in the highest degree; entirely, wholly, utterly. With exact fidelity to detail; accurately, precisely. Conclusively, decisively; categorically; completely. Unreservedly, wholeheartedly, unconditionally.<br>2. <em>int.</em> (in a somewhat weakened sense) Yes.</p><div><hr></div><p>absolutism, <em>n.</em></p><p>Pronunciation: /&#712;abs&#601;lju&#720;t&#618;z(&#601;)m/<br>Etymology: &lt; absolute <em>adj.</em> + -ism <em>suffix</em></p><p>1. The practice of absolute government; absolute authority, despotism.<br>2. The belief among interviewees on the <em>Today</em> programme that saying &#8216;absolutely&#8217; is a superior way of saying &#8216;yes&#8217;.</p><div><hr></div><p>advertising, <em>n.</em></p><p>Pronunciation: /&#712;adv&#601;t&#652;&#618;z&#618;&#331;/<br>Etymology: &lt; advertise <em>v.</em> + -ing <em>suffix</em></p><p>The attempt to convince the advertisee that, contra John Trusler, father of the English thesaurus, <em>need</em> and <em>want</em> are not merely &#8216;words esteemed synonymous&#8217;, between which a distinction can in fact be &#8216;pointed out, and the proper choice of them determined&#8217;, but rather actual synonyms.</p><div><hr></div><p>A-leveller, <em>n.</em></p><p>Pronunciation: /&#601; &#712;l&#603;vl&#601;/, /&#712;e&#618; &#716;l&#603;vl&#601;/<br>Etymology: &lt; A <em>adj.</em> or <em>n.</em> + leveller <em>n.</em></p><p>One who would level all differences of position or rank among men; <em>spec.</em> (in reduplicated form <em>A-leveller leveller</em>) by means of grade inflation.</p><div><hr></div><p>all-good, <em>adj.</em></p><p>Pronunciation: /&#712;&#596;&#720;l&#716;&#609;&#650;d/<br>Etymology: &lt; all <em>adv.</em> + good <em>adj.</em></p><p>1. Esp. of God: entirely or infinitely good; omnibenevolent.<br>2. (Usu. informal. In a somewhat weakened sense) Fine, OK, all right, sorted, etc.</p><div><hr></div><p>Amazon, <em>n.</em></p><p>Pronunciation: /&#712;am&#601;z(&#601;)n/<br>Etymology: &lt; Latin <em>Amazon</em> &lt; Greek <em>&#7944;&#956;&#945;&#950;&#974;&#957;</em></p><p>A race of female warriors alleged by Herodotus, etc. to exist in Scythia, an ancient tax haven.</p><div><hr></div><p>arranged gay marriage, <em>n.</em></p><p>Pronunciation: /&#601;&#712;re&#618;n(d)&#658;d &#712;mar&#618;d&#658;/<br>Etymology: &lt; arranged, <em>adj.</em> + gay <em>adj.</em> + marriage <em>n.</em>, merging arranged marriage <em>n.</em> + gay marriage <em>n.</em></p><p>A gay marriage the partners to which are chosen by others, usu. their parents.</p><div><hr></div><p>autopsychephilia, <em>n.</em></p><p>Pronunciation: /&#716;&#596;&#720;t&#601;&#650;&#716;s&#652;&#618;k&#601;&#712;f&#618;li&#601;<br>Etymology: &lt; + auto- <em>comb. form</em> + psyche <em>n.</em> + -philia <em>comb. form</em></p><p>A paraphilia characterised by sexual arousal caused by thinking about your own mind.</p><h4>B</h4><p>beer and sandwiches, <em>n.</em></p><p>Pronunciation: /b&#618;&#601; &#601;nd &#712;san(d)w&#618;t&#643;&#601;z/<br>Etymology: beer <em>n.</em> + and <em>conj.</em> + sandwiches <em>n.</em></p><p>1.   Informal negotiations. The phrase became associated with last-ditch talks between trade unionists and politicians at 10 Downing Street when a strike or stoppage was in the offing, as frequently happened in the 1960s and 1970s. The named fare is regarded as typical of the negotiators.<br>2. A square meal.</p><div><hr></div><p>big whoop, <em>int. </em>and <em>n.</em></p><p>Pronunciation: /&#716;b&#618;&#609; &#712;w&#650;p/<br>Etymology: &lt; big <em>adj.</em> + whoop <em>n.</em></p><p>1. <em>int. </em>Expressing dismissiveness: &#8216;So what?&#8217; &#8216;Who cares?&#8217;<br>2. <em>n.</em> A big utterance of &#8216;whoo(p)&#8217;, contronymous to sense 1, expressing approval in place of applause: &#8216;Oh my God! I agree!&#8217;</p><div><hr></div><p>Black Friday, <em>n.</em></p><p>Pronunciation: /blak &#712;fr&#652;&#618;de&#618;/<br>Etymology: &lt; black <em>adj.</em> + Friday <em>n.</em></p><p>Orig. but no longer solely <em>U.S.</em></p><p>1. (A name given to) Friday, 24 September 1869, a day of financial panic on Wall Street, precipitated by the introduction into the financial market of a large quantity of government gold, with the aim of making it more difficult to corner the gold market.<br>2. (A name given to) the day after Thanksgiving, a day of retail panic on Oxford Street, precipitated by the introduction into shops of a large quantity of cut-price tat, with the aim of making it more difficult not to fall off the pavement.</p><h4>C</h4><p>chilli sans carne, <em>n.</em></p><p>Pronunciation: /&#712;t&#643;&#618;li s&#596;&#771; &#712;k&#593;&#720;ne&#618;/<br>Etymology: &lt; literally &#8216;chilli pepper without meat&#8217;, after <em>chilli con carne</em>.</p><p>A stew of Mexican origin not containing minced beef flavoured with chillies. Also known as <em>chilli con Quorne</em>.</p><div><hr></div><p>class warrior, <em>n.</em></p><p>Pronunciation: /kl&#593;&#720;s &#712;w&#594;r&#618;&#601;/<br>Etymology: &lt; class <em>adj.</em> + warrior <em>n.</em></p><p>A fighting man ranking in the top class; a person, whose occupation is warfare, showing impressive stylishness in appearance, performance, or behaviour.</p><div><hr></div><p>click through, <em>v.</em></p><p>Pronunciation: /kl&#618;k &#952;ru&#720;/<br>Etymology: &lt; click <em>v.</em> + through <em>adv.</em></p><p>1.<em> Theoret.</em> To access an advertiser&#8217;s website by clicking on an advertisement on another web page.<br>2.<em> Pract.</em> To access an advertiser&#8217;s website by (accidentally) clicking on an advertisement on another web page.</p><div><hr></div><p>conservative | Conservative, <em>n.</em></p><p>Pronunciation: /k&#601;n&#712;s&#601;&#720;v&#601;t&#618;v/<br>Etymology: &lt; Middle French <em>conservatif</em> characterised by a tendency to preserve or conserve.</p><p>1. With small &#8216;c&#8217;: A person who conserves or preserves something; an adherent of traditional values, ideas, and institutions; an opponent of (social and political) change, a conservative person<em>.</em><br>2.<em> </em>With big &#8216;C&#8217;: Contronymous to sense 1, a person who does not conserves or preserves something; an adherent of non-traditional values, ideas, and institutions; a proponent of (social and political) change, a non-conservative person<em>.</em></p><div><hr></div><p>coupled cords, <em>n.</em></p><p>Pronunciation: /&#712;k&#652;p(&#601;)ld k&#596;&#720;dz/<br>Etymology: &lt; coupled <em>adj.</em> + cords <em>n.</em>, after <em>double denim</em>.</p><p><em>colloq.</em> (chiefly <em>Brit.</em> and <em>Austral.</em>) A style of dress in which a corduroy jacket or shirt is worn with a pair of cords or a corduroy skirt, often regarded as a breach of fashion etiquette.</p><div><hr></div><p>courage, <em>n.</em></p><p>Pronunciation: /&#712;k&#652;r&#618;d&#658;/<br>Etymology: &lt; Old French <em>corage</em>, a common Romanic word, answering to Latin <em>cor&#257;ticum</em> &lt; <em>cor</em> heart.</p><p>That quality of mind which shows itself in choosing a &#8216;weak&#8217; password without fear or shrinking.</p><div><hr></div><p>critical thinking, <em>n.</em></p><p>Pronunciation: /&#716;kr&#618;t&#618;kl &#712;&#952;&#618;&#331;k&#618;&#331;/<br>Etymology: &lt; critical <em>adj.</em> + thinking <em>n.</em></p><p>1. The objective, systematic, and rational analysis and evaluation of factual evidence in order to form a judgement on a subject, issue, etc.<br>2. = thinking <em>n.</em></p><div><hr></div><p>cultural imperialism, <em>n.</em></p><p>Pronunciation: /&#712;k&#652;lt&#643;(&#601;)r&#601;l &#618;m&#712;p&#618;&#601;r&#618;&#601;l&#618;z(&#601;)m/<br>Etymology: &lt; cultural <em>adj.</em> + imperialism <em>n.</em></p><p>The extension of the influence or dominance of one nation&#8217;s culture over others, now usually through the exportation of cultural commodities; <em>spec.</em> &#8216;English (United States)&#8217; as the doggedly self-restoring dictionary default on Microsoft Word.</p><div><hr></div><p>curiologic, <em>adj.</em></p><p>Pronunciation: /&#716;kj&#650;&#601;r&#618;&#601;&#712;l&#594;d&#658;&#618;k/<br>Etymology: &lt; A bad adaptation of Greek <em>&#954;&#8161;&#961;&#953;&#959;&#955;&#959;&#947;&#953;&#954;&#972;&#962;</em> &#8216;speaking literally&#8217;.</p><p>1. Of or pertaining to that form of hieroglyphic writing in which objects are represented by pictures.<br>2. Of or pertaining to that form of text message in which facial expressions are represented by emoji or emoticons.</p><div><hr></div><p>customer, <em>n.</em></p><p>Pronunciation: /&#712;k&#652;st&#601;m&#601;(r)/<br>Etymology: &lt; custom <em>n.</em> + er <em>suffix</em>.</p><p>Deployed on the principle of Newspeak that &#8216;reduction of vocabulary [is] regarded as an end in itself&#8217;, for the purpose of replacing and thereby &#8216;eliminating undesirable words&#8217; such as <em>student</em>, <em>voter</em>, <em>passenger</em>, <em>patient</em>, <em>film-goer</em>, <em>pub-goer</em>, <em>diner</em>, etc.</p><h4>D</h4><p>degree, <em>n.</em></p><p>Pronunciation: /d&#618;&#712;&#609;ri&#720;/<br>Etymology: &lt; late popular Latin <em>degradus</em> &lt; de- <em>prefix</em> down + <em>gradus</em> step</p><p>1. An academical rank or distinction conferred by a university or college as a mark of proficiency in scholarship.<br>2. Contronymous to sense 1, a mortgage taken out on a certificate of economic viability.</p><div><hr></div><p>DJ, <em>v.</em></p><p>Pronunciation: /&#712;di&#720;d&#658;e&#618;/<br>Etymology: Initialism</p><p>1. To work or perform as a disc jockey.<br>2. To take January as a month in which one refrains from drinking any alcohol as a personal challenge.</p><div><hr></div><p>Durham, <em>n.</em></p><p>Pronunciation: /&#712;d&#652;r&#601;m/<br>Etymology: name of a town and a county in the north of England.</p><p>1. The poor man&#8217;s Oxbridge.<br>2. <em>Subseq.</em> to &#8216;access&#8217;, contronymous to sense 1, the rich man&#8217;s Oxbridge.</p><h4>E</h4><p>e-bike, <em>n.</em></p><p>Pronunciation: /&#712;i&#720;b&#652;&#618;k/<br>Etymology: &lt; e- <em>comb. form</em> + bike <em>n.</em></p><p>A large, heavy, ugly lump of plastic used to obstruct pavements; an impediment; a piece of detritus.</p><div><hr></div><p>Ecce Homo, <em>int.</em> (and <em>n.</em>)</p><p>Pronunciation: /&#712;&#603;ke&#618; &#712;h&#601;&#650;m&#601;&#650;/<br>Etymology: Latin, &lt; <em>ecce</em> ooh, look + <em>homo</em> a man (John 19:5).</p><p>Used parenthetically to indicate that a statement, action, etc., which could be understood as homoerotic, is. Opposite of &#8216;no homo&#8217;.</p><div><hr></div><p>enshittification, <em>n.</em></p><p>Pronunciation: /en&#716;&#643;&#618;t&#618;f&#618;&#712;ke&#618;&#643;&#601;n/<br>Etymology: &lt; en- <em>prefix </em>+ shit <em>adj.</em> + -ification <em>comb. form</em></p><p>The process of a product or service, especially one connected with the internet, social media, or technology, becoming or being made worse, more unpleasant, less useful, etc.; <em>spec.</em> the experience of signing into Oxford University Press websites with a library card number.</p><div><hr></div><p>e-pistle, <em>n.</em></p><p>Pronunciation: / i&#720;&#712;p&#618;s(&#601;)l/<br>Etymology: &lt; epistle <em>n.</em>, punningly after e-mail <em>n.</em></p><p>An electronic communication made to an absent person in writing; an e-mail. Chiefly applied to e-mails which rank as literary productions, or to those of a public character, or addressed to a body of persons. In application to ordinary e-mails used only rhetorically or with playful or sarcastic implication.</p><div><hr></div><p>ex post, <em>adj.</em></p><p>Pronunciation: /&#603;ks p&#601;&#650;st/<br>Etymology: Perhaps shortened &lt; ex postfacto <em>adv.</em> lit. &#8216;from what is done afterwards&#8217;.</p><p>1. Based on or determined by actual results, rather than expectations; calculated retrospectively.<br>2. (Hence also, by extension) ex-post <em>n.</em> a misjudged, deleted tweet.</p><div><hr></div><p>executive producer, <em>n.</em></p><p>Pronunciation: /&#618;&#609;&#712;z&#603;kj&#650;t&#618;v pr&#601;&#712;dju&#720;s&#601;/<br>Etymology: executive <em>adj.</em> + producer <em>n.</em></p><p>1. A person who is in charge of a TV series and has control over creative and management decisions that relate to it.<br>2. A person with an agent who was vaguely involved.</p><h4>F</h4><p>Fargo, <em>v.</em></p><p>Pronunciation: /&#712;f&#593;&#720;(r)&#609;&#601;&#650;/<br>Etymology: &lt; title of a 1996 film by the Coen Brothers, since adapted at length for television.</p><p>To make one&#8217;s material go far.</p><div><hr></div><p>ff&#383;, <em>phr.</em></p><p>Pronunciation: /f&#601; &#716;f&#652;k(s) &#712;&#383;e&#618;k/<br>Etymology: initialism &lt; <em>f</em>or <em>prep.</em> + <em>f</em>uck <em>n.</em> + <em>&#383;</em>ake <em>n.</em></p><p>Expressing exasperation, annoyance, or urgency medievally.</p><div><hr></div><p>First World problem | First-World problem, <em>n.</em></p><p>Pronunciation: /f&#601;&#720;st w&#601;&#720;ld &#712;pr&#594;bl&#601;m/<br>Etymology: &lt; First World <em>n. </em>and <em>adj. </em>+ problem <em>n.</em></p><p>A problem affecting the First World and its inhabitants; <em>spec.</em> a cause of frustration or dissatisfaction regarded as trivial, and arising only as a result of the economic and social privilege, access to technology, etc., associated with the First World, e.g. the question of whether or not to hyphenate a two-word proper noun when using it attributively.</p><h4>G</h4><p>gentrification, <em>n.</em></p><p>Pronunciation: /&#716;d&#658;&#603;ntr&#7547;f&#7547;&#712;ke&#618;&#643;n/<br>Etymology: &lt; gentrify <em>v.</em> + &#8209;ification <em>suffix</em></p><p>The process whereby the character of a poor urban area is changed by wealthier people improving housing and attracting new businesses. Used almost exclusively by people who are doing it.</p><div><hr></div><p>get, <em>v.</em></p><p>Pronunciation: /&#609;&#603;t/<br>Etymology: &lt; Old Norse <em>geta</em></p><p><em>trans. </em>(orig. but no longer chiefly <em>U.S.</em>). To have.</p><div><hr></div><p>Glams | GLAMS, <em>n.</em></p><p>Pronunciation: /&#609;lamz/<br>Etymology: Acronym &lt; the initial letters of <em>g</em>ay, <em>l</em>esbian, <em>a</em>nd <em>m</em>inority <em>s</em>exual, after <em>BAME</em>; sometimes also pronounced as an initialism.</p><p>Gay, lesbian, and minority sexual: designating (members of) gay, lesbian, and sexual minority communities in the United Kingdom.</p><div><hr></div><p>gluten-free, <em>adj.</em></p><p>Pronunciation: /&#716;&#609;lu&#720;t(&#618;)n&#712;fri&#720;/<br>Etymology: &lt; gluten <em>n.</em> + free <em>adj.</em></p><p>1. Designating a diet in which gluten is avoided for health reasons (esp. by sufferers from coeliac disease).<br>2. Designating a diet in which gluten is avoided for religious reasons (esp. by people leaving Egypt in haste).</p><div><hr></div><p>go travelling, <em>v.</em></p><p>Pronunciation: /&#609;&#601;&#650; (&#601;)&#712;trav&#601;l&#618;&#331;/<br>Etymology: &lt; go <em>v.</em> (+ a <em>prep.</em>) + travelling <em>n.</em> action of travel <em>v.</em></p><p>To travel.</p><h4>H</h4><p>hab, <em>n.</em></p><p>Pronunciation: /h&#230;b/<br>Etymology: Acronym &lt; the initial letters of <em>h</em>usbands <em>a</em>nd <em>b</em>oyfriends, with the acronym treated as a singular noun.</p><p>orig. <em>German<br></em>In <em>pl.</em>: (collectively) the husbands and boyfriends of a group of professional football players, typically characterised as having a high media profile and a glamorous or extravagant lifestyle.</p><div><hr></div><p>hawk tuah, <em>int.</em></p><p>Pronunciation: /h&#596;&#720;k &#712;tu&#720;&#601;/<br>Etymology: &lt; onomatopoeic</p><p>The sound made when passing a Lime bike that is blocking the pavement.</p><div><hr></div><p>hip, <em>adj.</em></p><p>Pronunciation: /h&#618;p/<br>Etymology: early twentieth century, origin unknown.</p><p>1. In <em>hippie</em>, of an idealistic person who wears unbuttoned shirts, flared trousers and a long beard.<br>2. In <em>hipster</em>, of a cynical person who wears buttoned-up shirts, skinny jeans and a trimmed beard.</p><h4>I</h4><p>in medias res, <em>adj.</em></p><p>Pronunciation: /&#618;n &#712;mi&#720;d&#618;as re&#618;z/<br>Etymology: &lt; Latin &#8216;in the middle of things&#8217;.</p><p>1. Of a (usu. young) job hunter: eager to gain paid work in new media.<br>2. Of a (usu. old) job holder: eager to keep paid work in old media.</p><div><hr></div><p>inappropriate, <em>adj.</em></p><p>Pronunciation: /&#618;n&#601;&#712;pr&#601;&#650;pr&#618;&#601;t/<br>Etymology: &lt; in <em>prefix</em> + appropriate <em>adj.</em></p><p>1. Unsuitable to the particular case or circumstances. Const. <em>to</em>, <em>for</em>.<br>2. In later use: in a vague sense offensive, hurtful, etc., app. in every case and all circumstances. Usu. unconst.</p><div><hr></div><p>indigenous science, <em>n.</em></p><p>Pronunciation: /&#618;n&#712;d&#618;d&#658;&#618;n&#601;s &#712;s&#652;&#618;&#601;ns/<br>Etymology: &lt; indigenous <em>adj.</em> + science <em>n.</em></p><p>= Injuneering</p><div><hr></div><p>iOS, <em>n.</em></p><p>Pronunciation: /j&#594;s/<br>Etymology: Welsh</p><p>Mobile operating system.</p><div><hr></div><p>irrationale, <em>n.</em></p><p>Pronunciation: /&#618;&#716;ra&#643;&#601;&#712;n&#593;&#720;l/<br>Etymology: &lt; a blend of irrational <em>adj.</em> + rationale <em>n.</em></p><p>The fundamental underlying reason for doing something stupid.</p><div><hr></div><p>ivory tower, <em>n.</em></p><p>Pronunciation: /&#712;a&#618;v&#601;r&#618; &#712;ta&#650;&#601;(r)/<br>Etymology: &lt; French <em>tour d&#8217;ivoire</em></p><p>A condition of seclusion or separation from the world in which blue-sky research can be undertaken; contr. with Research Excellence Framework ivory-effect demonstrable economic impact tower <em>n.</em></p><h4>K</h4><p>killer ap, <em>n.</em></p><p>Pronunciation:  /&#712;k&#618;l&#601; ap/<br>Etymology: &lt; killer <em>adj.</em> + ap <em>n.</em></p><p>Welsh archer.</p><h4>L</h4><p>leaf blower, <em>n.</em></p><p>Pronunciation: /li&#720;f &#712;bl&#601;&#650;&#601;/<br>Etymology: leaf <em>n.</em> + blower <em>n.</em></p><p>A machine used to create harmful or annoying noise in the environment while blowing fallen leaves and other waste matter around.</p><div><hr></div><p>Lieutenant of the Tower, <em>n.</em></p><p>Pronunciation: /l&#603;f&#712;t&#603;n&#601;nt &#601;v &#240;&#601; &#712;ta&#650;&#601;(r)/<br>Etymology: &lt; lieutenant <em>n.</em> + of <em>prep.</em> + the <em>adj.</em> + tower <em>n.</em></p><p>1.<em> Hist.</em> An officer who, in the 16th and 17th cents., exacted guard duty and had a right to muster a militia from a large area of East London known as the Tower Hamlets.<br>2. In later use: Lutfur Rahman.<br>3. Additional sense (2026): Xi Jinping.</p><div><hr></div><p>LinkedIn, <em>n.</em></p><p>Pronunciation: /l&#618;&#331;kt &#618;n/<br>Etymology: &lt; linked <em>adj.</em> + in <em>adv.</em></p><p>1. = curriculum vitae <em>n.</em> a brief account of one&#8217;s professional life.<br>2. = curriculum mortis <em>n. </em>a brief account of one&#8217;s spiritual death.</p><div><hr></div><p>listicle, <em>n.</em></p><p>Pronunciation: /&#712;l&#618;st&#618;k(&#601;)l/<br>Etymology: &lt; list <em>n.</em> + testicle <em>n.</em></p><p>1. In interjectory form <em>listicles!</em> balls, bollocks; nonsense, rubbish.<br>2. An article on the Internet presented in the form of a numbered or bullet-pointed list; i.e. balls, bollocks; nonsense, rubbish.</p><div><hr></div><p>lit, <em>adj.</em> and <em>n.</em></p><p>Pronunciation: /l&#618;t/<br>Etymology: Of multiple origins</p><p>1. <em>colloquial</em> (originally U.S.). Amazing, impressive; fun, exciting.<br>2. Literature. &#129299;</p><div><hr></div><p>literally, <em>adv.</em></p><p>Pronunciation: /&#712;l&#618;t(&#601;)r&#601;li/<br>Etymology: &lt; literal <em>adj.</em> + -ly <em>suffix</em></p><p>1. In a literal, exact, or actual sense; not figuratively, allegorically, etc.<br>2. Contronymous to sense 1, in a non-literal, inexact, or non-actual sense; figuratively, allegorically, etc.</p><div><hr></div><p>lived experience, <em>n.</em></p><p>Pronunciation: /&#716;l&#618;vd &#618;k&#712;sp&#618;&#601;ri&#601;ns/<br>Etymology: lived <em>adj.</em> + experience <em>n.</em></p><p>The things that someone has experienced themselves, especially when these give the person a knowledge or understanding that people who have only heard about such experiences do not have; i.e. experience.</p><div><hr></div><p>London weighting, <em>n.</em></p><p>Pronunciation: /&#712;l&#652;nd&#601;n &#712;we&#618;t&#618;&#331;/<br>Etymology: &lt; London <em>n.</em> + weighting <em>n.</em></p><p>1. An amount added to a salary to compensate for the higher cost of living in the London area.<br>2. What remainers wished their votes had.</p><div><hr></div><p>lowest common denominator, <em>phr.</em></p><p>Pronunciation: /&#712;l&#601;&#650;&#7547;st &#712;k&#594;m&#601;n d&#618;&#712;n&#594;m&#618;ne&#618;t&#601;(r)/<br>Etymology: &lt; lowest <em>adj.</em> + common <em>adj.</em> + denominator <em>n.</em></p><p>1.<em> Mathematics.</em> What one must find to add up numerous vulgar fractions.<br>2.<em> Audience research. </em>What one must find to add up numerous vulgar viewers.</p><h4>M</h4><p>magic money tree, <em>n.</em></p><p>Pronunciation: /&#712;mad&#658;&#618;k &#712;m&#652;ni tri&#720;/<br>Etymology: &lt; magic <em>adj.</em> + money <em>n.</em> + tree <em>n.</em></p><p>1. A source of money, <em>esp.</em> one considered to be easily obtained, inexhaustible, or particularly profitable.<br>2. <em>According to Norman Tebbit.</em> Work</p><div><hr></div><p>the Man, <em>n.</em></p><p>Pronunciation: /&#240;&#601; man/<br>Etymology: &lt; the <em>adj.</em> + man <em>n.</em></p><p>A group or person in a position of authority over others, such as a corporate employer or the police. Not to be confused with <em>da man</em> in phr. <em>you da man!</em></p><div><hr></div><p>millennial, <em>n.</em></p><p>Pronunciation: /m&#618;&#712;l&#603;n&#618;&#601;l/<br>Etymology: &lt; post-classical Latin millennium <em>n.</em> + -al <em>suffix</em>.</p><p>1. orig. <em>U.S. </em>A person reaching young adulthood around the year 2000.<br>2. Also in extended use: a youngish fool.</p><div><hr></div><p>mineral water, <em>n.</em></p><p>Pronunciation: /&#712;m&#618;n(&#601;)r&#601;l &#712;w&#596;&#720;t&#601;/<br>Etymology: &lt; mineral <em>adj.</em> + water <em>n.</em></p><p>Esp. as bottled commercially: water containing dissolved minerals, i.e. water.</p><div><hr></div><p>mumblecore, <em>n.</em></p><p>Pronunciation: /&#712;m&#652;mb(&#601;)lk&#596;&#720;/<br>Etymology: &lt; mumble <em>v.</em> + -core <em>comb. form</em> on the model of hardcore <em>adj.</em> and <em>n.</em></p><p>1. A style of low-budget film, typically characterised by the use of non-professional actors and naturalistic or improvised performances.<br>2. A style of high-budget BBC One drama, typically characterised by the use of professional actors, scripted performances, and mumbling.</p><div><hr></div><p>my, <em>adj.</em></p><p>Pronunciation: /m&#652;&#618;/<br>Etymology: Variant of mine <em>adj.</em></p><p>1. Of or belonging to me; of or relating to myself; which I have, hold, or possess.<br>2. <em>Marketing. </em>In phrases <em>My Sky</em>, <em>My O2</em>, <em>My Virgin Media </em>etc., contronymous to sense 1, of or belonging to someone else; of or relating to someone else; which someone else has, holds, or possesses.</p><h4>N</h4><p>netromancy, <em>n.</em></p><p>Pronunciation: /&#712;n&#603;tr&#601;mansi/<br>Etymology: after necromancy <em>n.</em> &lt; net <em>n.</em> + -mancy <em>comb. form</em> forming nouns with the sense &#8216;divination by&#8217;.</p><p>A form of divination by which someone&#8217;s biography, personality, destiny etc. is inferred from their Internet history or social media profiles.</p><h4>O</h4><p>offender, <em>n.</em></p><p>Pronunciation: /&#601;&#712;f&#603;nd&#601;/<br>Etymology: &lt; offend <em>v.</em> + -er <em>suffix</em></p><p>1. <em>Law.</em> A person who breaks the law.<br>2. (Increasingly merging with sense 1) A person who gives offence.</p><div><hr></div><p>old cove, <em>n.</em></p><p>Pronunciation: /&#601;&#650;ld k&#601;&#650;v/<br>Etymology: perhaps from Romani <em>kova</em>, &#8216;thing or person&#8217;.</p><p>1. A fellow, chap, old boy; often as a term of familiar address.<br>2. Covid-19.</p><div><hr></div><p>on, <em>prep.</em></p><p>Pronunciation: /&#594;n/<br>Etymology: Cognate with Old Saxon <em>an</em> &lt; the same Indo-European base as ancient Greek <em>&#7936;&#957;&#940;</em> on.</p><p><em>colloq.</em> (orig. but no longer chiefly <em>U.S.</em>)</p><p>1. Addicted to or under the influence of (a drug or drugs). In phr. <em>on drugs</em>: taking drugs regularly or habitually, esp. for their stimulant or narcotic effects.<br>2. Hence, by extension, addicted to or under the influence of (Instagram, TikTok, etc.). In phrs. <em>on Instagram</em>, <em>on TikTok</em>, etc.: using those social media regularly or habitually, esp. for their procrastinative or idleful effects.</p><div><hr></div><p>on a case-by-case basis, <em>phr.</em></p><p>Pronunciation: /&#594;n &#601; ke&#618;s b&#652;&#618; ke&#618;s &#712;be&#618;s&#618;s/<br>Etymology: &lt; case by case <em>adv.</em></p><p>Case by case.</p><div><hr></div><p>one-hit pony, <em>n.</em></p><p>Pronunciation: /w&#652;n h&#618;t &#712;p&#601;&#650;ni/<br>Etymology: &lt; one-hit <em>adj.</em> + pony <em>n.</em></p><p>A small horse not over 14.2 hands in height, which gains only one popular success before returning to relative anonymity.</p><div><hr></div><p>Osballs, <em>n.</em></p><p>Pronunciation: /&#712;&#594;zb&#596;&#720;lz/<br>Etymology: Blend of the names of <em>George Gideon Oliver Osborne</em>, Conservative Chancellor of the Exchequer (2010&#8211;) and <em>Edward Michael Balls</em>, Labour Shadow Chancellor (2011&#8211;). Perh. influenced by balls <em>v.</em> and balls <em>int.</em></p><p><em>Polit.</em> The economic policy of Balls, regarded as largely undifferentiable from that of Osborne; advocacy of this policy.</p><div><hr></div><p>overshareware, <em>n.</em></p><p>Pronunciation: /&#601;&#650;v&#601;&#712;&#643;&#603;&#720;w&#603;&#720;/<br>Etymology: &lt; blend of overshare <em>v.</em> + shareware <em>n.</em></p><p>Software which is available free of charge for evaluation and allows one to reveal an inappropriate amount, esp. via webcam.</p><h4>P</h4><p>pathetic fallacy, <em>n.</em></p><p>Pronunciation: /p&#601;&#712;&#952;&#603;t&#618;k &#712;fal&#601;si/<br>Etymology: &lt; pathetic <em>adj.</em> + fallacy <em>n.</em></p><p>1. The attribution of human emotion or responses to animals or inanimate things, esp. in art and literature.<br>2. Hence sloppily: Any description of anything.</p><div><hr></div><p>PayPal, <em>int.</em></p><p>Pronunciation: /pe&#618; pal/<br>Etymology: pay <em>v.</em> + pal <em>n.</em></p><p>Demand of a terse Scottish debt collector.</p><div><hr></div><p>peak beard, <em>n.</em></p><p>Pronunciation: /pi&#720;k b&#618;&#601;d/<br>Etymology: &lt; peak <em>n. </em>and <em>adj.</em> + beard <em>n.</em></p><p>A style of beard with a pointed tip in the shape of a peak, which has never regained the height of popularity it enjoyed in the late sixteenth century (&#8216;peak peak beard&#8217;).</p><div><hr></div><p>Pornosec, <em>n.</em></p><p>Pronunciation: /&#712;p&#596;&#720;n&#601;&#650; s&#603;k/<br>Etymology: &lt; porno- <em>comb. form</em> + sec- (in section <em>n.</em>)</p><p>1. A name given by George Orwell to a department of the Ministry of Truth: &#8216;Pornosec, the sub-section of the Fiction Department which turned out cheap pornography for distribution among the proles.&#8217;<br>2. <em>Subseq. euphem.</em> the Internet.</p><div><hr></div><p>prorogue, <em>v.</em> and <em>adj.</em></p><p>Pronunciation: /pr&#601;(&#650;)&#712;r&#601;&#650;&#609;/<br>Etymology: &lt; classical Latin <em>pr&#333;rog&#257;re</em> to prolong, extend.</p><p>1. <em>v.</em> To discontinue the meetings of (a legislative or other assembly) for a period of time or until the next session, without dissolving it.<br>2. <em>adj.</em> In favour of rogue options or &#8216;going rogue&#8217;.</p><div><hr></div><p>psycho psycho psychoanalyst, <em>n.</em></p><p>Pronunciation: /&#712;s&#652;&#618;k&#601;&#650; &#712;s&#652;&#618;k&#601;&#650; &#716;s&#652;&#618;k&#601;&#650;&#712;an&#601;l&#618;st/<br>Etymology: &lt; psycho <em>n.</em> + psycho <em>n.</em> + psychoanalyst <em>n.</em></p><p>A person who psychoanalyses psychos, as well as, incidentally, being a psycho.</p><div><hr></div><p>public convenience, <em>n.</em></p><p>Pronunciation: /&#712;p&#652;bl&#618;k k&#601;n&#712;vi&#720;n&#618;&#601;ns/<br>Etymology: &lt; public <em>adj.</em> + convenience <em>n.</em></p><p>1. A lavatory for the convenience of the public.<br>2. Contronymous to sense 1, in the case of pay toilets, a lavatory for the inconvenience of the public.</p><h4>R</h4><p>-r, <em>suffix</em></p><p>Pronunciation: /r/<br>Etymology: &lt; truncation of -er <em>suffix</em></p><p>A website which has to do with (the thing denoted by the primary n. or v.).</p><div><hr></div><p>Radio 1, <em>n.</em></p><p>Pronunciation: /&#712;re&#618;d&#618;&#601;&#650; w&#652;n/<br>Etymology: &lt; radio <em>n.</em> + one <em>n.</em> (Arabic numeral <em>1</em>)</p><p>It was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice.</p><div><hr></div><p>ratioed, <em>adj.</em></p><p>Pronunciation: /&#712;re&#618;&#643;&#618;&#601;&#650;d/<br>Etymology: &lt; ratio <em>n.</em> + -ed <em>suffix</em></p><p>1. (of a tweet) to have many more replies than likes or retweets.<br>2. (of a book page) to have more footnotes than body text.</p><div><hr></div><p>remaster, <em>v.</em></p><p>Pronunciation: /ri&#720;&#712;m&#593;&#720;st&#601;/<br>Etymology: &lt; re- <em>prefix</em> + master <em>v.</em></p><p>1. To make a new master of (a record, etc.), typically in order to improve the quality.<br>2. <em>Fig.</em> and in extended use, to turn up the volume and rerelease as part of an expensive box set.</p><div><hr></div><p>right now, <em>adv.</em></p><p>Pronunciation: /r&#652;&#618;t na&#650;/<br>Etymology: right <em>adv.</em> + now <em>adv.</em></p><p>1. Immediately, without delay, at this very moment.<br>2. <em>Commercial television</em>. Contronymous to sense 1, mediately, after a delay, in a moment.</p><h4>S</h4><p>Screwfix | screwfix, <em>n.</em></p><p>Pronunciation: /&#712;skru&#720;&#716;f&#618;ks/<br>Etymology: screw <em>n.</em> + fix <em>v.</em></p><p>1. A retailer of trade tools, accessories, and hardware products.<br>2. An abortion.</p><div><hr></div><p>search me, <em>v.</em></p><p>Pronunciation: /s&#604;&#720;t&#643; mi&#720;/<br>Etymology: &lt; search <em>v.</em> + me <em>pron.</em></p><p>1. Used (chiefly <em>imp.</em> in response to a question) to imply that the speaker has no knowledge of some fact or no idea what course to take.<br>2. Used (chiefly <em>imp.</em>) to signal that the listener must search for the speaker online.</p><div><hr></div><p>selective attention, <em>n.</em></p><p>Pronunciation: /s&#618;&#712;l&#603;kt&#618;v &#601;&#712;t&#603;n&#643;&#601;n/<br>Etymology: selective <em>adj.</em> + attention <em>n.</em></p><p>1. <em>Psychol.</em> Applied to the capacity for, or process of, selection manifested by the mind or senses in reacting to certain stimuli and not to others.<br>2. <em>Pol.</em> The ability to ignore sentences that begin, &#8216;Downing Street has responded by saying&#8230;&#8217;</p><div><hr></div><p>short-sighted, <em>adj.</em></p><p>Pronunciation: /&#643;&#596;&#720;t &#712;sa&#618;t&#618;d/<br>Etymology: &lt; short <em>adj.</em> + sighted <em>adj.</em></p><p>1. Having short sight; having the focus of the eyes at less than the normal distance; unable to distinguish objects clearly at a distance; myopic.<br>2. Never looking up from one&#8217;s smartphone.</p><div><hr></div><p>six degrees of separation, <em>phr.</em></p><p>Pronunciation: /s&#618;ks d&#618;&#712;&#609;ri&#720;z &#601;v s&#603;p&#601;&#712;re&#618;&#643;&#601;n/<br>Etymology: &lt; John Guare&#8217;s 1990 play of that name &lt; Stanley Milgram&#8217;s 1967 &#8216;small world phenomenon&#8217; &lt; Frigyes Karinthy&#8217;s 1929 short story &#8216;L&#225;ncszemek&#8217;.</p><p>1. The theory that if someone is one &#8216;step&#8217; away from each person they know, and two steps from each person known by them, then everyone is on average six steps away from every other person on earth.<br>2. What an over-qualified divorce lawyer has.</p><div><hr></div><p>small talk, <em>n.</em></p><p>Pronunciation: /&#712;sm&#596;&#720;lt&#596;&#720;k/<br>Etymology: &lt; small <em>adj.</em> + talk <em>n.</em></p><p>Boasting.</p><div><hr></div><p>Speaker&#8217;s Corner, <em>n.</em></p><p>Pronunciation: /&#712;spi&#720;k&#601;z &#712;k&#596;&#720;n&#601;/<br>Etymology: &lt; speaker <em>n.</em> + corner <em>n.</em></p><p>The north-east corner of the House of Commons, noted as a place where a soap-box orator airs his views. Now <em>hist.</em></p><div><hr></div><p>spelling pronunciation, <em>n.</em></p><p>Pronunciation: /&#712;sp&#603;l&#618;&#331; pr&#601;&#716;n&#652;ns&#618;&#712;e&#618;&#643;n/<br>Etymology: &lt; spelling <em>n.</em> + pronunciation <em>n.</em></p><p>A foolish opinion, advanced of late years, that we ought to speak exactly as we spell.</p><div><hr></div><p>spin room, <em>n.</em></p><p>Pronunciation: /sp&#618;n r&#650;m/<br>Etymology: &lt; spin <em>n.</em> partly as a back-formation from spinning <em>n.</em> + room <em>n.</em></p><p>A designated area where, after a debate or other political event, politicians participate in an intense form of line-toeing exercise involving &#8216;riding a stationary bicycle&#8217; at a constantly varying pace set by journalists.</p><div><hr></div><p>spinning, <em>n.</em></p><p>Pronunciation: /&#712;sp&#618;n&#618;&#331;/<br>Etymology: &lt; spin <em>v.</em> + -ing <em>suffix</em>.</p><p>1. The action of putting a bias or slant on something, intending to create a favourable impression. Freq. in phr. <em>to put a positive spin on &#8212;&#8212;</em>.<br>2. Sense 1, as applied to using an exercise bike.</p><div><hr></div><p>square-eyed, <em>adj.</em></p><p>Pronunciation: /skw&#603;&#601;r &#652;&#618;d/<br>Etymology: &lt; square <em>adj.</em> + eyed <em>adj.</em></p><p>Affected by or given to excessive watching of screens. Chiefly <em>hist.</em>, now that everyone is.</p><div><hr></div><p>success, <em>n.</em></p><p>Pronunciation: /s&#601;k&#712;s&#603;s/<br>Etymology: &lt; Latin <em>successus</em> &lt; <em>succ&#275;d&#277;re</em> to succeed<em>.</em></p><p>When it&#8217;s quicker to search for your work on Google than your own hard drive.</p><h4>T</h4><p>tabloid, <em>adj.</em></p><p>Pronunciation: /&#712;tabl&#596;&#618;d/<br>Etymology: &lt; <em>tabl-</em> (in tablet <em>n.</em>) + -oid <em>suffix.</em></p><p>1. Compressed; concentrated, esp. in order to be easily assimilated; sensationalistic, populist, or reductive; of or resembling tabloid journalism.<br>2. In later use also: of or pertaining to text read on a tablet computer.</p><div><hr></div><p>tax, <em>n.</em></p><p>Pronunciation: /taks/<br>Etymology: &lt; Old French <em>taxer</em> &lt; Latin <em>taxare</em> to censure, charge, compute.</p><p>1. <em>Doms.</em> A compulsory contribution to the support of government.<br>2.<em> Non-doms.</em> Contronymous to sense 1: A discretionary contribution to the support of government.</p><div><hr></div><p>tax avoidance, <em>n.</em></p><p>Pronunciation: /t&#230;ks &#601;&#712;v&#596;&#618;d&#601;ns/<br>Etymology: &lt; tax <em>n.</em> + avoidance <em>n.</em></p><p>1. The arrangement of financial affairs so as to reduce tax liability within the law.<br>2. (hence also, by extension) Not earning any money in the first place.</p><div><hr></div><p>textspeak, <em>n.</em></p><p>Pronunciation: /t&#603;kst spi&#720;k/<br>Etymology<em>: &lt; </em>text <em>n.</em> + -speak <em>suffix</em></p><p>A foolish opinion, advanced of late years, that we ought to spell exactly as we speak.</p><div><hr></div><p>tickety-boo, <em>adj.</em></p><p>Pronunciation: /&#716;t&#618;k&#601;t&#618;&#712;bu&#720;/<br>Etymology: Obscure, perhaps &lt; Hindi <em>&#7789;h&#299;k hai</em> all right.</p><p>What you hope things will be if you keep agreeing to websites&#8217; terms and conditions.</p><div><hr></div><p>totes cray, <em>n.</em></p><p>Pronunciation: /t&#601;&#650;ts kre&#618;/<br>Etymology: &lt; tote<em> n.</em> + cray <em>adj.</em></p><p>Large, crazy handbags or shoulder bags.</p><div><hr></div><p>tumbleweed | Tumbleweed, <em>n.</em></p><p>Pronunciation: /&#712;t&#652;mb(&#601;)lwi&#720;d/<br>Etymology: &lt; tumble <em>v.</em> + weed <em>n.</em></p><p>1. Name in <em>U.S.</em> for various plants which form a globular bush which in late summer is broken off and rolled about by the wind; a rolling weed.<br>2. A post on Tumblr that no one sees.</p><div><hr></div><p>trending, <em>adj.</em></p><p>Pronunciation: /&#712;tr&#603;nd&#618;&#331;/<br>Etymology: &lt; trend <em>v.</em> + -ing <em>suffix</em>, action of trend <em>v.</em></p><p>Topics currently popular or the cause of much discussion on a news or social media website; also <em>transf.</em> useful words and phrases with which to tag a (sometimes entirely unrelated) post that might otherwise be ignored.</p><div><hr></div><p>twet, <em>v.</em></p><p>Pronunciation: /tw&#603;t/<br>Etymology: back-formation &lt; tweet <em>v.</em></p><p><em>Pseudo-arch.</em> and <em>-dial.<br></em>1. <em>trans.</em> To post (a message, item of information, etc.) on the social networking service Twitter.<br>2. <em>intr.</em> To make a posting on Twitter. Also: to use Twitter regularly or habitually.</p><h4>U</h4><p>un-GC, <em>adj.</em></p><p>Pronunciation: /&#716;&#652;nd&#658;i&#720;&#712;si&#720;/<br>Etymology: un- <em>prefix</em> + GC <em>n.</em></p><p>Grammatically incorrect; not conforming to the rules of grammar.</p><div><hr></div><p>unperson, <em>v.</em></p><p>Pronunciation: /&#652;n&#712;p&#601;&#720;sn/<br>Etymology: after unperson <em>n.</em>, George Orwell&#8217;s phrase for a person who is deemed not to have existed. In extended use, a person of no political or social importance.</p><p><em>trans.</em> to make into an unperson; <em>spec. </em>to unfriend on Facebook, unfollow on Twitter, or otherwise excommunicate via social media (usu. in <em>pa. pple.</em>).</p><div><hr></div><p>user experience, <em>n.</em></p><p>Pronunciation: /&#712;ju&#720;z&#601; &#618;k&#712;sp&#618;&#601;r&#618;&#601;ns/<br>Etymology: &lt; user <em>n.</em> + experience <em>n.</em></p><p>The overall experience of a person using highly toxic and addictive drugs, especially heroin or crack cocaine, <em>spec.</em> in terms of how easy or pleasing they are to use.</p><h4>V</h4><p>voice up, <em>v.</em></p><p>Pronunciation: /v&#596;&#618;s &#652;p/<br>Etymology: &lt; voice <em>v.</em> + up <em>adv.</em></p><p>1. To speak highly of (a person or thing); to praise. Usu. in <em>pass.</em> <em>Obs.<br></em>2.<em> Radio production</em>. To read out (a statement, letter, etc.).</p><h4>W</h4><p>the wildcard delusion, <em>n.</em></p><p>Pronunciation: /&#240;&#601; &#712;w&#652;&#618;ld&#716;k&#593;&#720;d d&#618;&#712;lu&#720;&#658;(&#601;)n/<br>Etymology: &lt; the <em>adj.</em> + wildcard <em>n.</em> + delusion <em>n.</em>, after <em>The God Delusion </em>(2006) by Richard Dawkins.</p><p>The fixed false opinion or belief, <em>esp.</em> as a form of mental derangement, that the world needs another book called <em>The &#8212;&#8212; Delusion</em>.</p><div><hr></div><p>win&#8211;win | Win Win, <em>adj.</em> and <em>n.</em></p><p>Pronunciation: /&#716;w&#618;n&#712;w&#618;n/<br>Etymology: win <em>v.</em> + win <em>v.</em></p><p>1. Designating circumstances in which each party involved can benefit, or in which all possible outcomes are favourable.<br>2. Played hooker for Llanelli Scarlets (1971&#8211;78)</p><div><hr></div><p>woke, <em>adj.</em></p><p>Pronunciation: /w&#601;&#650;k/<br>Etymology: &lt; <em>woke</em>, past participle of wake <em>v.</em></p><p>1. Originally: well-informed<br>2. Now chiefly: Contronymous to sense 1, doctrinaire, self-righteous, or pernicious.</p><h4>Y</h4><p>you know, <em>int.</em></p><p>Pronunciation: /ju&#720; n&#601;&#650;/<br>Etymology: &lt; you <em>pron</em>. + know <em>v.</em></p><p>I know.</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.therestisliterature.com/subscribe?"><span>Subscribe now</span></a></p>]]></content:encoded></item><item><title><![CDATA[London (1994)]]></title><description><![CDATA[Beautiful stills from &#8216;London&#8217; by Patrick Keiller]]></description><link>https://www.therestisliterature.com/p/london-1994</link><guid isPermaLink="false">https://www.therestisliterature.com/p/london-1994</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Fri, 22 Aug 2025 11:30:31 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/378f0a97-917e-44e6-9bfc-b76a707f023e_1425x801.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!EEJG!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3196ba85-ff8a-4bc5-90e5-854e796b2c62_1920x1080.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!EEJG!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3196ba85-ff8a-4bc5-90e5-854e796b2c62_1920x1080.jpeg 424w, 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now</span></a></p>]]></content:encoded></item><item><title><![CDATA[Opinions]]></title><description><![CDATA[&#128227;onymous_opin.&#128227;]]></description><link>https://www.therestisliterature.com/p/opinions</link><guid isPermaLink="false">https://www.therestisliterature.com/p/opinions</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Fri, 22 Aug 2025 10:57:43 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/6e469a1c-6347-4fd1-b5f1-9dc963c4ca00_4680x2633.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>Actors &#8216;performing&#8217; non-fiction audiobooks by doing journalists, academics, politicians, etc. in different voices is ridiculous and distracting. It&#8217;s not bleeding Dickens &#8211; just read it.</p></li><li><p>The Spotify algorithm is a low-quality way of listening to music. It quickly regresses towards the mean or lowest common denominator, and plays the person in question&#8217;s own personal Radio 2 or <em>Now That&#8217;s What I Call Music!</em></p></li><li><p>The greatest threat to quality of life is pollution: air pollution, noise pollution, and visual pollution.</p></li><li><p>If the binmen didn&#8217;t take your polystyrene last week, they&#8217;re not going to take it this week.</p></li><li><p>When matches are shown in pubs, the TV should be muted during the adverts and as soon as the match finishes.</p></li><li><p>For songs with music videos, record companies should still also post the audio-only track on YouTube, so you can share a great piece of music without sharing the invariably naff and dated music video.</p></li><li><p>Oasis sound nothing like the Beatles.</p></li><li><p>Lime bikes are mopeds. &#8216;Docking&#8217; them is fly-tipping.</p></li><li><p>Decathlon shouldn&#8217;t sell equipment relating to the hammer throw.</p></li><li><p>Rod Stewart has as many great albums as Elton John has great songs (four).</p></li><li><p>The best decade for music is 1967&#8211;77. The best albums by the Beatles, Stones, Kinks, Dylan, Van Morrison, Neil Young, Velvet Underground, Elvis&#8217;s comeback, glam rock, including Bowie, and early new wave and punk like Talking Heads and the Jam. It&#8217;s the period of looseness, when music careened along, as with Dylan&#8217;s precarious &#8216;Leopard-Skin Pill-Box Hat&#8217;, &#8216;like a mattress balances / On a bottle of wine&#8217;. Early Beatles is tight; the drum machines and synths of the eighties are tight. 1967&#8211;77 is loose.</p></li></ul><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.therestisliterature.com/subscribe?"><span>Subscribe now</span></a></p>]]></content:encoded></item><item><title><![CDATA[Hundred tops of Greater London]]></title><description><![CDATA[hundred, &#120367;. a subdivision of a county or shire]]></description><link>https://www.therestisliterature.com/p/hundred-tops-of-greater-london</link><guid isPermaLink="false">https://www.therestisliterature.com/p/hundred-tops-of-greater-london</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Mon, 18 Aug 2025 08:56:14 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/1c6a650f-0694-486e-be37-d72d77fba6ef_1400x1000.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>You might have heard of <a href="https://wikishire.co.uk/wiki/County_top">county tops</a>, and some websites also list <a href="https://www.hill-bagging.co.uk/hill-list/the-london-borough-tops/">London borough tops</a>, but the ancient subdivisions of a county are its hundreds, as recorded in Domesday Book, and till doomsday means till doomsday. These are the hundred tops within present-day Greater London.</p><h4>Essex</h4><p>Becontree Hundred: Cabin Hill</p><ul><li><p>308 feet</p></li><li><p>London Borough of Redbridge</p></li><li><p>51.623565, 0.136432</p></li></ul><p>Havering-atte-Bower (royal liberty): Orange Tree Hill</p><ul><li><p>344 feet</p></li><li><p>London Borough of Havering</p></li><li><p>51.615974, 0.183370</p></li></ul><p>Waltham Hundred: Pole Hill</p><ul><li><p>299 feet</p></li><li><p>London Borough of Waltham Forest</p></li><li><p>51.636424, 0.001443</p></li></ul><h4>Kent (Lathe of Sutton-at-Hone)</h4><p>Blackheath Hundred: Shooter&#8217;s Hill</p><ul><li><p>433 feet</p></li><li><p>Royal Borough of Greenwich</p></li><li><p>51.470304, 0.069778</p></li></ul><p>Bromley and Beckenham Hundred: Elmstead Wood</p><ul><li><p>279 feet</p></li><li><p>London Borough of Bromley</p></li><li><p>51.419924, 0.039179</p></li></ul><p>Little and Lesnes Hundred: Bostall Hill</p><ul><li><p>240 feet</p></li><li><p>London Borough of Bexley</p></li><li><p>51.481399, 0.128868</p></li></ul><p>Ruxley Hundred: Westerham Heights</p><ul><li><p>804 feet</p></li><li><p>London Borough of Bromley</p></li><li><p>51.289525, 0.058405</p></li></ul><h4>Middlesex</h4><p>Elthorne Hundred: Haste Hill</p><ul><li><p>308 feet</p></li><li><p>London Borough of Hillingdon</p></li><li><p>51.597368, -0.418897</p></li></ul><p>Gore Hundred: Stanmore Hill</p><ul><li><p>499 feet</p></li><li><p>London Borough of Harrow</p></li><li><p>51.631125, -0.336231</p></li></ul><p>Isleworth Hundred: The Vale (Heston)</p><ul><li><p>115 feet</p></li><li><p>London Borough of Hounslow</p></li><li><p>51.486315, -0.384312</p></li></ul><p>Ossulstone Hundred: Hampstead Heath</p><ul><li><p>446 feet</p></li><li><p>London Borough of Camden</p></li><li><p>51.561254, -0.180605</p></li></ul><h4>Surrey</h4><p>Brixton Hundred: Westow Hill</p><ul><li><p>361 feet</p></li><li><p>London Borough of Lambeth</p></li><li><p>51.419975, -0.078604</p></li></ul><p>Kingston Hundred: King Henry&#8217;s Mound</p><ul><li><p>184 feet</p></li><li><p>London Borough of Richmond-upon-Thames</p></li><li><p>51.444981, -0.294024</p></li></ul><p>Corrections welcomed.</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.therestisliterature.com/subscribe?"><span>Subscribe now</span></a></p>]]></content:encoded></item><item><title><![CDATA[Manifesto]]></title><description><![CDATA[&#9773;]]></description><link>https://www.therestisliterature.com/p/manifesto</link><guid isPermaLink="false">https://www.therestisliterature.com/p/manifesto</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Thu, 31 Jul 2025 13:29:31 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/0822c32a-d674-436f-9b8a-fc5633e61f62_1300x750.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>Parakeets will be exterminated.</p></li><li><p>LimeBike, Inc. will be proscribed as a terrorist group.</p></li><li><p>At the end of TV programmes, the credits will not be shrunk or spoken over.</p></li><li><p>Street signs will be mounted on walls and buildings, not supported by separate signposts.</p></li><li><p>Taps will be long enough so that it is possible to wash one&#8217;s hands without touching the back of the basin.</p></li><li><p>Organisations will refer to &#8216;passengers&#8217;, &#8216;diners&#8217;, &#8216;drinkers&#8217;, etc., not &#8216;customers&#8217;.</p></li><li><p>The manufacture of labels that leave glue behind when pealed off will be outlawed.</p></li><li><p>The BBC Sounds audio ident (&#8216;music, radio, podcasts&#8217;) will never again be heard.</p></li><li><p>Wooing at public events will be discouraged.</p></li><li><p>Streaming services will subtitle non-English scenes by default.</p></li><li><p>Continuity announcers on TV and radio will be prohibited from making comments that fall into one or more of the following categories: breezy, ironic, knowing, chatty, twee.</p></li><li><p>Blue Christmas lights will be banned.</p></li><li><p>There will be more benches, public lavatories, and drinking fountains.</p></li><li><p>Car horns will not be used except to avoid danger by alerting people to the presence of a car that they haven&#8217;t noticed.</p></li><li><p>Street lighting will come on later, to preserve the gloaming.</p></li><li><p>Liberalism for the well-behaved; authority for the slovenly.</p></li></ul><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading. Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Holy Roman Empire syndrome]]></title><description><![CDATA[Neither holy, nor Roman, nor an empire]]></description><link>https://www.therestisliterature.com/p/holy-roman-empire-syndrome</link><guid isPermaLink="false">https://www.therestisliterature.com/p/holy-roman-empire-syndrome</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Thu, 31 Jul 2025 13:09:19 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/8af13aa6-bb9c-43c3-a123-7111c3e4ab5e_1407x792.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>The Wife of Bath: neither a wife, nor of Bath; the Widow from &#8216;biside Bathe&#8217;.</p></li><li><p>The Bayeux Tapestry: neither from Bayeux, nor a tapestry; the Kent Embroidery.</p></li><li><p>The New River: neither new, nor a river; the Seventeenth-Century Aqueduct.</p></li><li><p>Pottery Barn: neither a purveyor of pottery, nor a barn; Furniture Shop.</p></li><li><p><em>Manifesto of the Communist Party</em>: neither conceived as a manifesto, nor did a Communist Party exist; <em>Pamphlet of the Communist League</em>.</p></li><li><p>Ladybird: neither a lady, nor a bird; small, domed beetle of the Coccinellidae family.</p></li><li><p>British pub (in America): neither British, nor a pubs; themed bar.</p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading. Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div></li></ul>]]></content:encoded></item><item><title><![CDATA[Thoughts]]></title><description><![CDATA[&#128173;]]></description><link>https://www.therestisliterature.com/p/thoughts</link><guid isPermaLink="false">https://www.therestisliterature.com/p/thoughts</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Wed, 30 Jul 2025 08:23:03 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/a8b1ca21-dcd0-4c6e-a8cb-c104c529855e_3176x1787.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ol><li><p>In America, guns are like alcohol is everywhere: prohibition might be desirable, but is nonetheless impossible.</p></li><li><p>Text-to-image prompt engineering is a kind of ekphrasis.</p></li><li><p>Nation-building neocons and Corbynistas share a similarity. The former are sure that we can create democracies over there, the latter that we can create democrats over here.</p></li><li><p>What&#8217;s called &#8216;health and safety&#8217; is often safety at the expense of health, a form of short-termism.</p></li><li><p>Kingsley Amis predicted, of university graduates, &#8216;more will mean worse&#8217;, but, in a true war against merit, worse will mean better.</p></li><li><p>Agreeable, less open extroverts go up into bubbles, while disagreeable, more open introverts go down into rabbit holes.</p></li><li><p>To believe that speech and violence are different and that the latter is wrong does not entail pacifism. Even in a world of amoral, self-interested foreign policy, within a democratic state, where speech pertains as a (the) viable alternative to violence, we can afford to be &#8216;domestic pacifists&#8217;, a bit like Nassim Taleb saying &#8216;With my family, I&#8217;m a communist.&#8217;</p></li><li><p>The two aspects of trait &#8216;openness to experience&#8217; &#8211; intellect and openness &#8211; could be thought of, respectively, as input ability and output ability. Intellect processes input ideas and openness outputs new ones.</p></li><li><p>People drink either because their lives are too empty or their minds too full.</p></li><li><p>Perhaps belief is operating on an oscillatory model, with the evolution of pagan gods into the God of monotheism (the big crunch), and now, following the &#8216;death of God&#8217;, a devolving back into paganism (the big bang).</p></li><li><p>Feminism is the only permanently justifiable form of identity politics.</p></li><li><p>Philosophy and poetry are self-help.</p></li><li><p>There is more utility in judging the living than the dead.</p></li><li><p>Hypercapitalism might be a pathology born of the Cold War &#8211; whatever the communists were doing, the West went as far as possible in the opposite direction.</p></li><li><p>A democrat can&#8217;t move too far from centrism, because of the value he or she ascribes to what most people think.</p></li><li><p>The &#8216;housing crisis&#8217; is one of expense and will not be solved by building ugly orange boxes in fields, which make the houses people actually want more desirable by comparison and perhaps more expensive.</p></li><li><p>Western civilisation is also westward civilisation &#8211; Greece and the Holy Land, Rome, other bits of Europe, Britain, New England, California.</p></li><li><p>Maybe some people in the BBC would actually like it to be privatised &#8211; in the absence of patriotism, Reithian duties make no sense and are merely burdens.</p></li><li><p>The point of God is that he doesn&#8217;t exist &#8211; believing in material, existent things such as money, power, idols and demagogues is dangerous, so ultimate belief must be in something from an ideal realm, i.e. an idea.</p></li><li><p>The people we listen to on podcasts and speak to online are becoming more real to us than the zombies we pass on the street.</p></li><li><p><em>Brave New World</em> can feel more relevant than <em>Nineteen Eighty-Four</em> because, after the &#8216;end of history&#8217;, ideology is less important than (Huxley&#8217;s focus) &#8216;the advancement of science as it affects human individuals&#8217;.</p></li><li><p>The desire, in Harold Bloom&#8217;s words, to rebeget oneself or become &#8216;one&#8217;s own imaginative father&#8217; is the desire to invert one&#8217;s family tree and be the creator rather than the product.</p></li><li><p>The veneration of influencers is either an alternative to or a mask for <em>ressentiment</em>. Keep up with the Joneses or kill them and take their stuff?</p></li><li><p>Some TV programmes are great because the main character is a bit of a cipher &#8211; Raylan Givens in <em>Justified</em>, Seinfeld in <em>Seinfeld</em> &#8211; which puts the emphasis on supporting characters, world-building, and &#8216;feel&#8217;.</p></li><li><p>Gender-neutral parenting might be gaining ground due to people having only one child and not observing the contrasts first hand.</p></li><li><p>The thing at the bottom of the to-do list, which you&#8217;ll do last or not at all, is the thing you ought to do now.</p></li><li><p>Jung had the idea of the collective unconscious. Perhaps the corpora/datasets on which LLMs are trained represent the collective conscious.</p></li><li><p>Relatedly, if the &#8216;silent majority&#8217; possesses any wisdom, ChatGPT et al. are unaware of it.</p></li><li><p>In the modern history of pubs, there&#8217;s one fifteen-year period when they were free from harmful pollution, namely the fifteen years between the smoking ban of 2007 and the normalising of playing videos from smartphones <em>c.</em> 2022.</p></li><li><p>In the 1760s James Otis attacked &#8216;Taxation without representation&#8217;. The problem with the Scottish and Welsh Parliaments today might be the reverse, representation without the seriousness that comes with taxation.</p></li><li><p>The idea that &#8216;The history of all hitherto existing society is the history of class struggles&#8217; is a conspiracy theory.</p></li><li><p>Theology is what science would be if the universe were a work of art.</p></li><li><p>AGI will be achieved when the chatbots advance, in Coleridge&#8217;s terms, from fancy, which &#8216;has no other counters to play with, but fixities and definites&#8217;, to imagination, which &#8216;dissolves, diffuses, dissipates, in order to re-create&#8217;.</p></li><li><p>The far right think culture is to race what gender in fact is to sex.</p></li><li><p>Having been fully explored and mapped, with AI the world is becoming a <em>terra incognita</em> once again.</p></li><li><p>Modernity means mobility.</p></li><li><p>The ideologies we need to compete in a democracy aim at the three goods we most desire: conservatism wants peace, liberalism wants freedom, including the freedom to create wealth, and social democracy wants wealth for all. Historically, liberalism is a luxury of a conservative society that has become sufficiently peaceful to permit enterprise, and social democracy a luxury of a liberal society that has become sufficiently rich to permit redistribution. The biggest threat to either of the second two goods is to attack the one or ones on which it was built. For example, the integrity of the nation-state is supposedly held dear by conservatives, but social democrats should also hold it dear because &#8211; aside from its being the largest viable forum for democracy &#8211; there&#8217;s also no welfare state without a state or NHS without the &#8216;N&#8217;.</p></li><li><p>The US has its separation of powers, while the British system is meant to be more Trinitarian, with the God Parliament comprising the three persons of Parliament the Executive, Parliament the Judiciary, and Parliament the Holy Legislature.</p></li><li><p>Relatedly, an intelligent designer creating a society from scratch would not give it a monarchy. True, but that&#8217;s partly because, unlike constitutional evolution, an intelligent designer would not be capable of coming up with anything as ingenious as the Crown-in-Parliament.</p></li><li><p>Over time, dramas &#8211; even good ones &#8211; become more like sitcoms.</p></li><li><p>The way genes get themselves into the future is to build new bodies, but human genes also build conscious minds. The belief in an afterlife, in which we reunite with those to whom we&#8217;re genetically closest, could be an example of evolutionary excess or overkill &#8211; consciousness believes that it too can survive into the future because, with regard to fitness, there&#8217;s no disadvantage in such a belief.</p></li><li><p>It&#8217;s not that you can&#8217;t dance to the Beatles or sing along to Bob Dylan, but there might be a link between their greatness and the sense of a barrier to joining in.</p></li><li><p>Some people are devolving into bovines and TikTok is their cud.</p></li><li><p>If there is such a thing as lifestyle inflation and inequality increases, then &#8216;keeping up with the Joneses&#8217; becomes harder for the average family, so an increase in overall wealth could actually cause a decrease in average happiness. After Peterson we could call this not the wealth trap but the lobster trap.</p></li><li><p>Newbuilds resemble toy houses because they&#8217;re the equivalent of workers&#8217; cottages (i.e. small) but have miniaturised features (gables, porches) of more generous early-twentieth-century suburban houses.</p></li><li><p>The binary divide between polytechnics and universities, and maybe between secondary moderns and grammar schools, was a Chesterton&#8217;s fence. The purpose was for society to be able to do tech as tech and the humanities as the humanities.</p></li><li><p>Everyone is of equal value because everyone is unique, but unique means different, i.e. unequal, so paradoxically everyone is equal because everyone is unequal.</p></li></ol><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading. Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Made-up band names]]></title><description><![CDATA[Please welcome to the stage&#8230;]]></description><link>https://www.therestisliterature.com/p/made-up-band-names</link><guid isPermaLink="false">https://www.therestisliterature.com/p/made-up-band-names</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Mon, 28 Jul 2025 08:30:55 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/5558181a-ea19-45ae-a5fe-8c9cd8e8a5d0_800x580.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>Three Pecks One Smacker</p></li><li><p>Baby and the Bowels</p></li><li><p>Bag of Dried Mud</p></li><li><p>Happiness and the Good Deaths</p></li><li><p>The Disappearance of Sinful Souls</p></li><li><p>The Pragmatic Apples</p></li><li><p>Folded Fuck</p></li><li><p>The Contentious Creatures</p></li><li><p>The First Beaks</p></li><li><p>An Abundance of Caution</p></li><li><p>Pez, Gez and the Wags</p></li><li><p>The Petty Princes of the Peninsula</p></li><li><p>These L-Dopa Dreams</p></li><li><p>Geodesic Domes</p></li><li><p>Part-Time Bovines</p></li><li><p>Squeaks for Wind</p></li><li><p>A Vessel for Your Oetker</p></li><li><p>The City Lemmings</p></li><li><p>The Upper Echelons</p></li><li><p>Pigs in an Essex Ditch</p></li><li><p>The Black Taps</p></li><li><p>Steam-Powered Bird</p></li><li><p>Spread the Frenzy</p></li><li><p>The Gloomy Lutherans</p></li><li><p>Seeping Spinach</p></li><li><p>The Chattering Knives</p></li><li><p>Lyric Vacuum</p></li><li><p>Enrique&#8217;s New Toupee</p></li><li><p>Runty Tube</p></li><li><p>A Pint of Shame</p></li><li><p>These Mangled Pears</p></li><li><p>Exploding Filth</p></li><li><p>Clonk the Chick</p></li><li><p>The Lame Embers</p></li><li><p>Mountains of Sea</p></li><li><p>Doomed Giants</p></li><li><p>Rogue Bogies</p></li><li><p>These Metal Bastards</p></li><li><p>Buffering Forces</p></li><li><p>Surreptitiously Sensible</p></li><li><p>His Wife&#8217;s Elaborate Sleeve</p></li><li><p>The Diabolical Teats</p></li><li><p>Nudge the Slugs</p></li><li><p>The Spice of Our Nation</p></li><li><p>The Forgotten Pocket</p></li><li><p>Britannic Mongrel</p></li><li><p>The Elastic Schnozz</p></li><li><p>Big Dirty Thumb</p></li><li><p>Wand of Cleanliness</p></li><li><p>Glutton for Germs</p></li><li><p>Vignettes of Myth</p></li><li><p>Liquid Breeze</p></li><li><p>Contraception Spectrum</p></li><li><p>Flesh Crevice</p></li><li><p>Sadness, Sex and Importunate Thoughts</p></li><li><p>Coexistence with Beavers</p></li><li><p>My Meagre Supper</p></li><li><p>Jane Austen&#8217;s Eyelids</p></li><li><p>Suck the Filth From My Paws</p></li><li><p>Willing Browsers</p></li><li><p>Snide Fucks</p></li><li><p>Laxative Yaghurt</p></li><li><p>Homogeneous Parade</p></li><li><p>Anaemic Pickle</p></li><li><p>An Island of Pie</p></li><li><p>Vampiric Tendencies</p></li><li><p>Northern Spout</p></li><li><p>Anoraks Prevail</p></li><li><p>Scram and Consume</p></li><li><p>The Shuddering Door</p></li><li><p>Intersex Insects</p></li><li><p>Beard of Foam</p></li><li><p>Runty Little Flakes</p></li><li><p>The Bourgeois Specialists</p></li><li><p>A Parcel of Busy Citizens</p></li><li><p>Sizeable Puffs</p></li><li><p>Cray Contrast</p></li><li><p>The Trump of Judgement</p></li><li><p>Shit Initiative</p></li><li><p>A Plague of Scoots</p></li><li><p>Terabyte of Porn</p></li><li><p>Feline Scruton and the PC Pups</p></li><li><p>Gloves of Pain</p></li><li><p>Fresh Pressure</p></li><li><p>Political Piggy</p></li><li><p>Essence of Pilkington</p></li><li><p>Snacks for the Morrow</p></li><li><p>Mere Squeaks</p></li><li><p>A Chocolate Labrador Ate My Sandwich</p></li><li><p>A Prowling Gekko</p></li><li><p>The Mirrored Innards</p></li><li><p>The Last-Minute Flaps</p></li><li><p>Backward Pounce</p></li><li><p>The Primacy of Clicks</p></li><li><p>The Sieve of Vanity</p></li><li><p>Pre-School Jabs</p></li><li><p>The Careful Capfuls</p></li><li><p>A Trio of Jerkins</p></li><li><p>The Monthly Prognosticators</p></li><li><p>Full Feline Innings</p></li><li><p>Fucked Cuticles</p></li><li><p>Porcine Treats</p></li><li><p>Top Prosecutor</p></li><li><p>Aquiline Schnozz</p></li><li><p>Your Pudgy Sponge</p></li><li><p>Barrels of Quilt</p></li><li><p>Tornado of Dead Skin Cells</p></li><li><p>Alleged Morals</p></li><li><p>The Background Facts</p></li><li><p>A Hit of Zest</p></li><li><p>Historic Docks</p></li><li><p>Final Swigs</p></li><li><p>League of Demons</p></li><li><p>Horse Slaughter</p></li><li><p>Robust Muzzle</p></li><li><p>Spiral of Hate</p></li><li><p>The Very Real Bees</p></li><li><p>Ribbons of Murk</p></li><li><p>Cray Squawkingcock</p></li><li><p>Cramping Womb</p></li><li><p>A Fuckton of Pancakes</p></li><li><p>The Squealing Jockey Wheels</p></li><li><p>Very Naughty Figs</p></li><li><p>The Crumbs of Your Muff</p></li><li><p>Useful Spoon</p></li><li><p>One-Thrust Spaff</p></li><li><p>Shirley&#8217;s Pegs</p></li><li><p>Cluck of Joy</p></li><li><p>The Invention of Sacrifice</p></li><li><p>The Briefest of Sucks</p></li><li><p>Partial Garbage</p></li><li><p>Fundamental Fudge</p></li><li><p>The Sporadic Clusters</p></li><li><p>The Neighbourhood of Pain</p></li><li><p>The Oil Council</p></li><li><p>The Fruits of This Foolishness</p></li><li><p>Spectrum of Rigour</p></li><li><p>Purgative Herbs</p></li><li><p>Sartorial Splendour</p></li><li><p>Interspecial Honk</p></li><li><p>Persian Incursions</p></li></ul><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading. Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Free interesting places to visit in London]]></title><description><![CDATA[&#128130;]]></description><link>https://www.therestisliterature.com/p/free-interesting-places-to-visit</link><guid isPermaLink="false">https://www.therestisliterature.com/p/free-interesting-places-to-visit</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Sun, 27 Jul 2025 10:03:34 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/69cf8f27-176e-4084-88ed-1659619eb56d_5288x3270.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p><a href="https://asms.uk/">All Saints, Margaret Street</a></p></li><li><p><a href="https://www.cityoflondon.gov.uk/things-to-do/city-gardens/find-a-garden/bunhill-fields-burial-ground">Bunhill Fields Burial Ground</a></p></li><li><p><a href="https://www.chapelroyalhamptoncourt.org.uk/worship/">Choral Evensong at the Chapel Royal, Hampton Court</a></p></li><li><p><a href="https://www.fitzroviachapel.org/">Fitzrovia Chapel</a></p></li><li><p><a href="https://www.thegardenat120.com/">The Garden at 120</a></p></li><li><p><a href="https://en.wikipedia.org/wiki/Great_Trees_of_London">Great Trees of London</a></p></li><li><p><a href="https://www.gresham.ac.uk/">Gresham College</a></p></li><li><p><a href="https://www.cityoflondon.gov.uk/things-to-do/attractions-museums-entertainment/guildhall-art-gallery">Guildhall Art Gallery and Roman Amphitheatre</a></p></li><li><p><a href="https://hackneycityfarm.co.uk/">Hackney City Farm</a></p></li><li><p><a href="https://hogarthshouse.org">Hogarth&#8217;s House</a></p></li><li><p><a href="https://www.horniman.ac.uk/">Horniman Museum and Gardens</a></p></li><li><p><a href="https://www.rbkc.gov.uk/parks-leisure-and-culture/parks/holland-park">Kyoto Garden in Holland Park</a></p></li><li><p><a href="https://www.lincolnsinn.org.uk/the-estate/our-gardens/">Lincoln&#8217;s Inn</a> and <a href="https://www.graysinn.org.uk/the-inn/the-estate/the-walks/">Gray&#8217;s Inn</a> gardens</p></li><li><p><a href="https://canalrivertrust.org.uk/canals-and-rivers/places-to-visit/little-venice">Little Venice</a> and <a href="https://canalrivertrust.org.uk/canals-and-rivers/regents-canal">Regent&#8217;s Canal</a></p></li><li><p><a href="https://www.londonmithraeum.com/">London Mithraeum</a></p></li><li><p><a href="https://en.wikipedia.org/wiki/Magnificent_Seven_cemeteries">Magnificent Seven cemeteries</a></p></li><li><p><a href="https://en.wikipedia.org/wiki/New_River_(London)">New River</a></p></li><li><p><a href="https://www.parkrun.org.uk/events/events/#geo=9.4/51.5275/-0.0992">Parkrun</a></p></li><li><p><a href="https://www.cityoflondon.gov.uk/things-to-do/city-gardens/find-a-garden/postmans-park">Postman&#8217;s Park</a></p></li><li><p><a href="https://www.royalparks.org.uk/">Royal Parks</a></p></li><li><p><a href="https://www.soane.org/">Sir John Soane&#8217;s Museum</a></p></li><li><p><a href="https://smithfieldmarket.com/">Smithfield Market</a></p></li><li><p><a href="https://www.stetheldreda.co.uk/">St Etheldreda&#8217;s Church</a></p></li><li><p><a href="http://www.stgileschurch.com/">St Giles-without-Cripplegate</a></p></li><li><p><a href="https://www.stjamessquaretrust.co.uk/">St James&#8217;s Square</a></p></li><li><p><a href="https://actorschurch.org/">St Paul&#8217;s Church, Covent Garden</a> (&#8216;the actors&#8217; church&#8217;)</p></li><li><p><a href="https://www.templechurch.com/music/lunchtime-organ-recitals">Temple Church organ recitals</a></p></li><li><p><a href="https://www.vam.ac.uk/east/storehouse/visit">V&amp;A East Storehouse</a></p></li><li><p><a href="https://www.wallacecollection.org/">Wallace Collection</a></p></li><li><p><a href="https://en.wikipedia.org/wiki/Wandle_Trail">Wandle Trail</a> and other <a href="https://joshuagaskell.substack.com/p/good-long-walks-on-waterways-in-greater">waterways</a></p></li></ul><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading. Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Good podcasts]]></title><description><![CDATA[&#127911;]]></description><link>https://www.therestisliterature.com/p/good-podcasts</link><guid isPermaLink="false">https://www.therestisliterature.com/p/good-podcasts</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Sat, 26 Jul 2025 10:02:10 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/c7190629-604d-4709-90e4-5aad77aa201e_2370x1642.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p><em><a href="https://podcasts.apple.com/us/podcast/conversations-with-tyler/id983795625">Conversations with Tyler</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/the-dishcast-with-andrew-sullivan/id1536984072">The Dishcast with Andrew Sullivan</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/us/podcast/the-ezra-klein-show/id1548604447">The Ezra Klein Show</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/the-good-fight/id1198765424">The Good Fight with Yascha Mounk</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/ca/podcast/the-gray-area-with-sean-illing/id1081584611">The Gray Area with Sean Illing</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/honestly-with-bari-weiss/id1570872415">Honestly with Bari Weiss</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/how-i-write/id1700171470">How I Write with David Perell</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/us/podcast/in-our-time/id73330895">In Our Time</a> </em>with Melvyn Bragg</p></li><li><p><em><a href="https://podcasts.apple.com/us/podcast/making-sense-with-sam-harris/id733163012">Making Sense with Sam Harris</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/novara-media/id1001507547">Novara Media</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/us/podcast/the-michael-shermer-show/id1352860989">The Michael Shermer Show</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/us/podcast/past-present-future/id1682047968">Past Present Future</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/quillette-narrated/id1459697620">Quillette Narrated</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/us/podcast/real-time-with-bill-maher/id98746009">Real Time with Bill Maher</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/the-rest-is-history/id1537788786">The Rest is History</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/us/podcast/tetragrammaton-with-rick-rubin/id1671669052">Tetragrammaton with Rick Rubin</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/gb/podcast/unherd-with-freddie-sayers/id1540134798">UnHerd with Freddie Sayers</a></em></p></li><li><p><em><a href="https://podcasts.apple.com/sg/podcast/within-reason/id1458675168">Within Reason with Alex O&#8217;Connor</a></em></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading. Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div></li></ul>]]></content:encoded></item><item><title><![CDATA[Our dystopian future]]></title><description><![CDATA[If you want a picture of the future, imagine a Lime bike riding over a human face &#8211; forever.]]></description><link>https://www.therestisliterature.com/p/our-dystopian-future</link><guid isPermaLink="false">https://www.therestisliterature.com/p/our-dystopian-future</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Fri, 25 Jul 2025 13:06:58 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/2315717f-287b-418f-a418-5a08dd7c0564_1300x859.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>Lime bikes rule the streets and parakeets the skies.</p></li><li><p>People get into trouble for things they&#8217;ve said while Siri or Alexa was listening.</p></li><li><p>In Parliament, &#8216;Hear, hear!&#8217; is replaced by &#8216;Woo!&#8217;</p></li><li><p>The Conservatives promise to get immigration down from hundreds of millions to tens of millions.</p></li><li><p>There is more CCTV but also more impunity.</p></li><li><p>There is less risk but also more violence.</p></li><li><p>Machines are humanoid and people are robotic.</p></li><li><p>Toddlers start using the phrase &#8216;Adults should be seen but not heard.&#8217;</p></li><li><p>Responsibility and decision-making are outsourced to AI.</p></li><li><p>Politicians live in fear.</p></li><li><p>The elderly live in fear.</p></li><li><p>Public services become yet more degraded.</p></li><li><p>Women don&#8217;t go out alone after dark.</p></li><li><p>People express their desperation through the medium of the car horn.</p></li><li><p>Radio 4 responds by becoming yet breezier.</p></li><li><p>There is no distinction between public and private realms.</p></li><li><p>Sudden oak death harries Britain.</p></li><li><p>The only clean parts of the city are privately owned public spaces (POPS); everywhere else is Brooklyn chic (i.e. graffitied).</p></li><li><p>Politicians try to protect liberalism, but all their solutions are illiberal.</p></li><li><p>People vape with impunity in no-smoking areas.</p></li><li><p>Control, tracking, and monitoring are sold as tech-utopian solutions to stress and anxiety, but in fact make them worse (&#8216;We track, you relax&#8217;-type apps).</p></li><li><p>Houses are built without windows.</p></li><li><p>Power stations use fatbergs as fuel.</p></li><li><p>People are prosecuted for not washing their hands.</p></li><li><p>Everything is banned except the following, which are compulsory:</p><ul><li><p>Cannabis</p></li><li><p>Leg tattoos</p></li><li><p>Palestine marches</p></li><li><p>Lanyards</p></li><li><p>Filming everything</p></li><li><p>Tertiary school (formerly known as &#8216;uni&#8217;)</p></li><li><p>Wiping your feet on the seat on a train</p></li><li><p>Watching porn without earphones on a bus</p></li><li><p>Slovenly gymwear</p></li><li><p>The Two Minutes Twee</p></li><li><p>Suicide or euthanasia (whichever comes first)</p></li></ul></li></ul><p>What would you like to watch today, Alex, <em>Adolescence</em> or women&#8217;s football?</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!0Y9o!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff32532b1-2a6b-4d3e-b201-6f80c8446882_1250x755.jpeg" 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class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.therestisliterature.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading! &#129394; Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Evergreen New Year’s resolutions]]></title><description><![CDATA[i.e. old, yearly irresolutions (&#120356;. 2019&#8211;)]]></description><link>https://www.therestisliterature.com/p/evergreen-new-years-resolutions</link><guid isPermaLink="false">https://www.therestisliterature.com/p/evergreen-new-years-resolutions</guid><dc:creator><![CDATA[Joshua Gaskell]]></dc:creator><pubDate>Fri, 25 Jul 2025 11:04:41 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/d165677b-66d3-44da-9f3e-ddb35cfb1b52_6604x4505.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<ul><li><p>&#9997;&#65039; Write more</p></li><li><p>&#127867; Drink less</p></li><li><p>&#127859; Learn to cook</p></li><li><p>&#128108; Find someone to play squash with</p></li></ul><div 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Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item></channel></rss>